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  • Format: ePub

I can't remember which side I'm supposed to be working for, and it is not in fact necessary for me to know.
The Cold War is approaching its endgame and somebody in spymaster Elizabeth Hapgood's network is leaking secrets. Is her star double agent really a triple? The trap she sets becomes a hall of mirrors in which betrayal is personal and treachery a trick of the light.
Tom Stoppard's Hapgood premiered at the Aldwych Theatre, London, in March 1988. It was revived at the Hampstead Theatre, London, in December 2015.

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Produktbeschreibung
I can't remember which side I'm supposed to be working for, and it is not in fact necessary for me to know.

The Cold War is approaching its endgame and somebody in spymaster Elizabeth Hapgood's network is leaking secrets. Is her star double agent really a triple? The trap she sets becomes a hall of mirrors in which betrayal is personal and treachery a trick of the light.

Tom Stoppard's Hapgood premiered at the Aldwych Theatre, London, in March 1988. It was revived at the Hampstead Theatre, London, in December 2015.


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Autorenporträt
Tom Stoppard's work includes Rosencrantz and Guildenstern Are Dead, The Real Inspector Hound, Jumpers, Travesties, Night and Day, Every Good Boy Deserves Favour, After Magritte, Dirty Linen, The Real Thing, Hapgood, Arcadia, Indian Ink, The Invention of Love, the trilogy The Coast of Utopia, Rock 'n' Roll, The Hard Problem and Leopoldstadt. His radio plays include If You're Glad I'll Be Frank, Albert's Bridge, Where Are They Now?, Artist Descending a Staircase, The Dog It Was That Died, In the Native State and Darkside (incorporating Pink Floyd's Dark Side of the Moon). Television work includes Professional Foul, Squaring the Circle and Parade's End. Film credits include Empire of the Sun, Rosencrantz and Guildenstern Are Dead, which he also directed, Shakespeare in Love, Enigma and Anna Karenina.