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This elegantly written and illuminating book explores the attenuated relationship between history and cultural studies, reappraising some of the issues and positions which have led to the impasse between them and highlighting the contribution to be made by a new engagement between cultural and historical theory. Focusing on the contested concept of 'experience' as a central part of his argument, Pickering advances new ways of attending to the myriad voices of everyday cultures, past and present.
This elegantly written and illuminating book explores the attenuated relationship between history and cultural studies, reappraising some of the issues and positions which have led to the impasse between them and highlighting the contribution to be made by a new engagement between cultural and historical theory. Focusing on the contested concept of 'experience' as a central part of his argument, Pickering advances new ways of attending to the myriad voices of everyday cultures, past and present.
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Autorenporträt
Michael Pickering has published in the fields of media studies, social and cultural history, and the sociology of art and culture. His recent books include Blackface Minstrelsy in Britain (2008/2016); Research Methods for Cultural Studies (2008); The Mnemonic Imagination (2012), Photography, Music and Memory, and Memory and the Management of Change, co-written with Emily Keightley; Research Methods for Memory Studies (2013); and Rhythms of Labour: Music at Work in Britain (2013), co-written with Marek Korczynski and Emma Robertson.
Inhaltsangabe
Acknowledgements Introduction Structures of Feeling and Traces of Time The Turn to Ordinariness Crossing the Asses' Bridge Crossing Horizons Relations of Mutual Constitution Against the Repudiation of Experience Bibliography Index.
Acknowledgements Introduction Structures of Feeling and Traces of Time The Turn to Ordinariness Crossing the Asses' Bridge Crossing Horizons Relations of Mutual Constitution Against the Repudiation of Experience Bibliography Index.
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