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Coeditors Elizabeth Patton and Mimi Choi argue that an in-depth examination of media images of housework from the mid-nineteenth century to the early twenty-first century is long overdue. Modern depictions often imply that certain concerns can be resolved through excessive domesticity, reflecting some of the complicated and unfinished issues of second-wave feminism. Home Sweat Home: Perspectives on Housework and Modern Relationships reveals how widespread the cultural image of "perfect" housewives and the invisibility of household labor were in the past and remain today. In this collection of…mehr
Coeditors Elizabeth Patton and Mimi Choi argue that an in-depth examination of media images of housework from the mid-nineteenth century to the early twenty-first century is long overdue. Modern depictions often imply that certain concerns can be resolved through excessive domesticity, reflecting some of the complicated and unfinished issues of second-wave feminism. Home Sweat Home: Perspectives on Housework and Modern Relationships reveals how widespread the cultural image of "perfect" housewives and the invisibility of household labor were in the past and remain today. In this collection of essays, contributors explore the construction of women as homemakers and the erasure of household labor from the middle-class home in popular representations of housework. They concentrate on such matters as the impact of second-wave feminism on families and gender relations; of popular culture-especially in film, television, magazines, and advertising-on our views of what constitutes home life and gender relations; and of changing views of sexuality and masculinity within the domestic sphere. Home Sweat Home will interest students and scholars of gender, cultural, media, and communication studies; sociology; and American history and appeal to anyone curious about housework, gender relations and popular culture.
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Autorenporträt
Elizabeth Patton is program coordinator and full-time faculty in the Johns Hopkins University Masters in Communication program in Washington, D.C. She received her doctorate from the Department of Media, Culture, and Communication at New York University. Her research includes media history; representations of gender, class, and race within mass media; and the impact of communication technology on space, family, and work-life balance. Mimi Choi received her MA from Ryerson University's Literatures of Modernity program in Toronto, Canada, after more than two decades of professional writing and editing in the financial, book, and magazine publishing industries. Her academic research encompasses the British and American novel, feminist theory and gender studies, and reception theory.
Inhaltsangabe
Dedication Acknowledgments List of Illustrations Introduction Chapter 1: Hung Out to Dry: Laundry Advertising and the American Woman, 1890-1920 by Kristi Branham Chapter 2: Snapshot Photography, Women's Domestic Work and the "Kodak Moment" 1910s-60s by Nicola Goc Chapter 3: From Chimney Sweeps to House Elves: Housework, Subject Formation, Agency, and British Children's Fantasy Literature 1863-2007 by Hannah Swamidoss Chapter 4: Appliance Reliance: Domestic Technologies and the Depersonalization of Housework in Postwar American Speculative Fiction by Andrea Krafft Chapter 5: Making Easier the Lives of our Housewives: Visions of Domestic Technology in the Kitchen Debate by Nicole Williams Barnes Chapter 6: Supernatural Housework: Magic and Domesticity in 1960s Television by Kristi Rowan Humphreys Chapter 7: Every Day Should Be Like Sunny Weather: Ayelet Waldman and Michael Chabon Channel Carol Channing to Resolve the Politics of Housework for a New Generation of Parents by Mimi Choi Chapter 8: Spaces of Masculinity and Work: Bringing Men Back into the Domestic Sphere by Elizabeth Patton Chapter 9: Kauering "Home" in Ang Lee's The Wedding Banquet by Gust A. Yep and Ryan Lescure Chapter 10: Good Luck Raising the Modern Family: Analyzing Portrayals of Sexual Division of Labor and Socioeconomic Class on Family Sitcoms by Nancy E. Bressler Chapter 11: No Longer Whistling While You Work? Reanimating the Cult of Domesticity in The Incredibles by Christopher Holliday Chapter 12: I Couldn't Do It without Her: Big Love, Sister Wives, and Housework by Rita M. Jones Suggested Reading About the Contributors
Dedication Acknowledgments List of Illustrations Introduction Chapter 1: Hung Out to Dry: Laundry Advertising and the American Woman, 1890-1920 by Kristi Branham Chapter 2: Snapshot Photography, Women's Domestic Work and the "Kodak Moment" 1910s-60s by Nicola Goc Chapter 3: From Chimney Sweeps to House Elves: Housework, Subject Formation, Agency, and British Children's Fantasy Literature 1863-2007 by Hannah Swamidoss Chapter 4: Appliance Reliance: Domestic Technologies and the Depersonalization of Housework in Postwar American Speculative Fiction by Andrea Krafft Chapter 5: Making Easier the Lives of our Housewives: Visions of Domestic Technology in the Kitchen Debate by Nicole Williams Barnes Chapter 6: Supernatural Housework: Magic and Domesticity in 1960s Television by Kristi Rowan Humphreys Chapter 7: Every Day Should Be Like Sunny Weather: Ayelet Waldman and Michael Chabon Channel Carol Channing to Resolve the Politics of Housework for a New Generation of Parents by Mimi Choi Chapter 8: Spaces of Masculinity and Work: Bringing Men Back into the Domestic Sphere by Elizabeth Patton Chapter 9: Kauering "Home" in Ang Lee's The Wedding Banquet by Gust A. Yep and Ryan Lescure Chapter 10: Good Luck Raising the Modern Family: Analyzing Portrayals of Sexual Division of Labor and Socioeconomic Class on Family Sitcoms by Nancy E. Bressler Chapter 11: No Longer Whistling While You Work? Reanimating the Cult of Domesticity in The Incredibles by Christopher Holliday Chapter 12: I Couldn't Do It without Her: Big Love, Sister Wives, and Housework by Rita M. Jones Suggested Reading About the Contributors
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