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The three-character play is set in the drawing room of a flat located on Cromwell Road in London. Shaw describes Henry Apjohn as a very beautiful youth, moving as in a dream, walking as on air, while Aurora Bompas has an air of being a young and beautiful woman but as a matter of hard fact, she is, dress and pretensions apart, a very ordinary South Kensington female of about 37, hopelessly inferior in physical and spiritual distinction to the beautiful youth. The third character is Aurora's husband Teddy, a robust, thicknecked, well groomed city man, with a strong chin but a blithering eye and credulous mouth.…mehr

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Produktbeschreibung
The three-character play is set in the drawing room of a flat located on Cromwell Road in London. Shaw describes Henry Apjohn as a very beautiful youth, moving as in a dream, walking as on air, while Aurora Bompas has an air of being a young and beautiful woman but as a matter of hard fact, she is, dress and pretensions apart, a very ordinary South Kensington female of about 37, hopelessly inferior in physical and spiritual distinction to the beautiful youth. The third character is Aurora's husband Teddy, a robust, thicknecked, well groomed city man, with a strong chin but a blithering eye and credulous mouth.

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Autorenporträt
Pygmalion is a play by George Bernard Shaw, named after a Greek mythological figure. It was first presented on stage to the public in 1913. In ancient Greek mythology, Pygmalion fell in love with one of his sculptures, which then came to life. The general idea of that myth was a popular subject for Victorian era English playwrights, including one of Shaw's influences, W. S. Gilbert, who wrote a successful play based on the story called Pygmalion and Galatea that was first presented in 1871. Shaw would also have been familiar with the burlesque version, Galatea, or Pygmalion Reversed. Shaw's play has been adapted numerous times, most notably as the musical My Fair Lady and its film version. Shaw mentioned that the character of Professor Henry Higgins was inspired by several British professors of phonetics: Alexander Melville Bell, Alexander J. Ellis, Tito Pagliardini, but above all, the cantankerous Henry Sweet.