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WINNER OF THE SCOTIABANK GILLER PRIZE 'Spellbinding' i 'Breathtaking' Elle 'Powerhouses of feeling and depth' Mary Gaitskill 'Sharp and vital' Daisy Johnson 'Excellent' Margaret Atwood on Twitter An ex-boxer turned nail salon worker falls for a pair of immaculate hands; a mother and daughter harvest earthworms in the middle of the night; a country music-obsessed housewife abandons her family for fantasy; and a young girl's love for her father transcends language. In this stunning debut, Souvankham Thammavongsa captures the day-to-day lives of immigrants and refugees in a nameless city,…mehr

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Produktbeschreibung
WINNER OF THE SCOTIABANK GILLER PRIZE 'Spellbinding' i 'Breathtaking' Elle 'Powerhouses of feeling and depth' Mary Gaitskill 'Sharp and vital' Daisy Johnson 'Excellent' Margaret Atwood on Twitter An ex-boxer turned nail salon worker falls for a pair of immaculate hands; a mother and daughter harvest earthworms in the middle of the night; a country music-obsessed housewife abandons her family for fantasy; and a young girl's love for her father transcends language. In this stunning debut, Souvankham Thammavongsa captures the day-to-day lives of immigrants and refugees in a nameless city, illuminating hopes, disappointments, love affairs, and above all, the pursuit of a place to belong. 'There is not a moment off in these affecting stories' Sheila Heti

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Autorenporträt
Souvankham Thammavongsa was born in the Lao refugee camp in Nong Khai, Thailand in 1978 and was raised and educated in Toronto. She is an award-winning author of four poetry books. Her stories have won an O. Henry Prize, been shortlisted for the Commonwealth Short Story Prize, and have appeared in Granta, Harper's and the Paris Review among other publications. How to Pronounce Knife is her debut short story collection.

souvankham-thammavongsa.com
Rezensionen
Impressive … Thammavongsa's spare, rigorous stories are preoccupied with themes of alienation and dislocation, her characters burdened by the sense of existing unseen … Thammavongsa's gift for the gently absurd means the stories never feel dour or predictable … It is when the characters' sense of alienation follows them home, into the private space of the family, that Thammavongsa's stories most wrench the heart