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  • Format: ePub

"This is simply extraordinary writing, laced with wonder and devastation..." Joanna Klink A sequel to her T. S. Eliot Prize shortlisted Erato, Deryn Rees-Jones' remarkable new collection sees her returning to ongoing preoccupations: the complexities of memory and memorialisation, desire and the body, and poetry's place in a hostile world. The book begins with a woman checking into Hôtel Amour, a space both real and imagined, in the heart of Paris. This is a hallucinatory city where surreal symbols loom large: the hotel's pink neon sign, elephants, doubles, and lost pairings. A bloody heart…mehr

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Produktbeschreibung
"This is simply extraordinary writing, laced with wonder and devastation..." Joanna Klink A sequel to her T. S. Eliot Prize shortlisted Erato, Deryn Rees-Jones' remarkable new collection sees her returning to ongoing preoccupations: the complexities of memory and memorialisation, desire and the body, and poetry's place in a hostile world. The book begins with a woman checking into Hôtel Amour, a space both real and imagined, in the heart of Paris. This is a hallucinatory city where surreal symbols loom large: the hotel's pink neon sign, elephants, doubles, and lost pairings. A bloody heart lies in the street, books concertina into song, and everywhere is the ever-present noise of birds. Playful, and moving by turn, Hôtel Amour experiments with fragmented narrative and poetic form, creating a breathing space for a multilayered and powerful meditation on illness, love and time. Hôtel Amour's fierce and formidable exploration of 'the now' and its many ghostly literary pasts, is the work of a poet at the height of her powers as she asks us to listen, and explore our human capacity for transformation and for hope.

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Autorenporträt
Deryn Rees-Jones was born in Liverpool, and educated in North Wales and London. She is the author of 7 collections of poetry including The Memory Tray (1995) which was shortlisted for the Forward Prize for Best First Collection. She has twice been shortlisted for the T.S. Eliot Prize with her collections Burying the Wren (2012) and Erato (2019) which were also Poetry Book Society Recommendations. She edited the influential anthology Modern Women Poets for Bloodaxe. She has received a Cholmondeley Award from the Society of Authors and was picked as one of the top ten women poets of the decade in Mslexia magazine. She is Professor of Poetry at the University of Liverpool where she co-directs the Centre for New and International Writing, and edits the Pavilion Poetry Series for Liverpool University Press.