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Presents a new theory of humour as the cultural expression of our (neo)liberal moment Revisits existing humour texts in order to rethink both the political limitations and possibilities of humour as a political mode in the twenty-first century Brings together concerns of form and aesthetics with questions of power in a manner that not only reassesses the cultural work of humour, but also articulates a new account of the political possibilities of popular aesthetics more broadly

Produktbeschreibung
Presents a new theory of humour as the cultural expression of our (neo)liberal moment
Revisits existing humour texts in order to rethink both the political limitations and possibilities of humour as a political mode in the twenty-first century
Brings together concerns of form and aesthetics with questions of power in a manner that not only reassesses the cultural work of humour, but also articulates a new account of the political possibilities of popular aesthetics more broadly

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Autorenporträt
Nicholas Holm is a lecturer in Media Studies at Massey University, New Zealand. He has written widely on the politics and aesthetics of popular culture, in particular contemporary humour. He is author of Advertising and Society: A Critical Introduction (2016).
Rezensionen
"Holm provides deeper insight into the political work of humor in general, observing how the logic of humor might affect our current thinking about liberalism, authority, and dissent. ... It provides many conceptual insights and will be of interest to academics in humor studies. ... This book is a good start at engaging with comic content from across a few countries in the Western world, through an interdisciplinary lens." (Veena Raman, International Journal of Communication, Iss (12), 2018)