Ibn al-Rumi is a prolific poet, immersed in meanings, immersed in his meanings, but if we were to ask: What is the evidence of his poetics? It would be unfair for him to limit this evidence to generation, immersion, and absorption. We might delete from it its generation and meanings, and not remove from it the elements of poetry and artistic nature. He is the poet from branch to foot, the poet in his good and his bad, and the poet in what he celebrates and in what he throws at his weak ones. Poetry is not for him a garment that he wears for adornment in the seasons of the days, nor a garment that he wears for vulgarity in the general days, no! Rather, it is his skin connected to the veins of his body, woven from his flesh and blood. The bad, just as good, has an indication of himself, and reveals his health and illness. Indeed, perhaps some of his bad is more indicative of it than some of his good, and is closer to making it known and accessing it. Because the subject of his art is the subject of his life, and a person lives in his best times, and he lives in his worst times, and his life in bad times may be many times his life in the best times. Abbas Mahmoud Al-Akkad
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