Each scenario is mirrored by a brief accompanying reflection, asking what they might mean for our thinking about the theatre. These many possible worlds circle around questions that include:
- In what way is writing itself a performance?
- How do we understand the relationship between real performances that engender imaginary reflections and imaginary conceptions that form the basis for real theatrical productions?
- Are we not always imagining theatres when we read or even when we sit in the theatre, watching whatever event we imagine we are seeing?
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