How might we regard these mercurial items? As precious relics to be protected in museum holdings, ghostly harbingers of residual performance histories, or inconvenient detritus? The book travels from props-makers' studios to auction houses and galleries, incorporating film-making, artefact handling and curation along the way, in lively dialogue with perspectives from dance history, material culture, sociology and performance studies. The choreographic archive is envisioned as repository of the awkward, scattered remains of legacy blown apart into fragments. Smithereens, which can, if we allow them, demand an alternative after-life that disrupts the vanishing inflicted on these costumes and the companies who danced in them.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, D ausgeliefert werden.








