This book, engaging with the Kochi Biennale, provides detailed examination of what the editors term as the 'biennale effect' - a layered contestation of place, economics, art and politics. It presents a close reading of the unique context of the biennale as well as sets out a broader critical framework for understanding global contemporary art and its effects.
Replete with illustrations, this book will serve as an important and rare resource for scholars and researchers of contemporary art, art history, visual cultures, and media studies.
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