The Interactive Documentary in Canada captures this transitional moment in documentary filmmaking and media production. Bringing together a range of historical, theoretical, and critical approaches, this collection examines the past - and the imagined future - of a nonfiction storytelling phenomenon that has Canadian institutions, figures, and works at its centre. Embracing a polyphonic conception of interactive documentary, the volume includes explorations of web-based, app-based, installation, and virtual reality works that push the boundaries of what is understood as documentary cinema. Leading documentary scholars and makers consider the historical and technological contexts of i-doc production, innovation, and exhibition; the political and pedagogical potential of the genre; the ethics of the i-doc experience; and the format's future lifespan in the contemporary media landscape.
The Interactive Documentary in Canada establishes a place for the i-doc in the history of Canadian film, highlighting the genre's significant impact on the National Film Board of Canada and on contemporary global documentary media.
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