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Intersectional Feminism in the Age of Transnationalism: Voices from the Margins explores the limitations of the transnationalist approach to feminism and questions the neoliberal emphasis on individual freedom and consumer choice as the central goals of feminist activism. The contributions to the volume discuss such varied topics as fiction by Edwidge Dandicat, Judith Ortiz-Cofer, and Diamela Eltit; visual art of Laura Aguilar and Maruja Mallo; films directed by Lucrecia Martel; a TV series based on a novel by María Dueñas; the art-activism of Ani Ganzala and Zinha Franco; and the…mehr
Intersectional Feminism in the Age of Transnationalism: Voices from the Margins explores the limitations of the transnationalist approach to feminism and questions the neoliberal emphasis on individual freedom and consumer choice as the central goals of feminist activism. The contributions to the volume discuss such varied topics as fiction by Edwidge Dandicat, Judith Ortiz-Cofer, and Diamela Eltit; visual art of Laura Aguilar and Maruja Mallo; films directed by Lucrecia Martel; a TV series based on a novel by María Dueñas; the art-activism of Ani Ganzala and Zinha Franco; and the philosophical thought of Gloria Anzaldúa. All chapters proceed from the belief in the continued usefulness of intersectionality as a valuable category of critical analysis that is particularly necessary at the time when the effects of neoliberal globalization are undermining many familiar categories of critical inquiry.
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Autorenporträt
Olga Bezhanova is associate professor and chair of the Department of Foreign Languages and Literature at Southern Illinois University, Edwardsville. Raysa E. Amador is professor and chair of the Department of Languages, Literatures, and Cultures at Adelphi University in New York.
Inhaltsangabe
Part I: Essay, Novel, and Short Story Chapter 1: Border Trouble: Anzaldúa's Margins Leslie Bary Chapter 2: Tuning In: Intimacy and Networks in Diamela Eltit's Fuerzas especiales Sowmya Ramanathan Chapter 3: Transculturation and the Body: Edwidge Dandicat and Judith Ortiz Cofer Raysa Amador Part II: TV and Film Chapter 4. "Postfeminist Supergirl" Turned Superspy: Crossing Borders and New Identities in El tiempo entre costuras Barbara Minter Chapter 5: Lucrecia Martel's Salta Trilogy: A (Trans)National Bildungsroman of Female Sexuality Java Singh, Doon University Part III: Visual and Performing Arts Chapter 6: Re-imagining the Borderlands: Intersectionality and Transnational Queering of Laura Aguilar's Self-Portrait Three Eagles Flying Rosita Scerbo Chapter 7: The Transformative Experience of the New Continent in Maruja Mallo's Art María Alejandra Zanetta Chapter 8: Technologies of Affective Solidarity: Salvador, Brazil's Ani Ganzala & Zinha Franco Naomi Pueo Wood
Part I: Essay, Novel, and Short Story Chapter 1: Border Trouble: Anzaldúa's Margins Leslie Bary Chapter 2: Tuning In: Intimacy and Networks in Diamela Eltit's Fuerzas especiales Sowmya Ramanathan Chapter 3: Transculturation and the Body: Edwidge Dandicat and Judith Ortiz Cofer Raysa Amador Part II: TV and Film Chapter 4. "Postfeminist Supergirl" Turned Superspy: Crossing Borders and New Identities in El tiempo entre costuras Barbara Minter Chapter 5: Lucrecia Martel's Salta Trilogy: A (Trans)National Bildungsroman of Female Sexuality Java Singh, Doon University Part III: Visual and Performing Arts Chapter 6: Re-imagining the Borderlands: Intersectionality and Transnational Queering of Laura Aguilar's Self-Portrait Three Eagles Flying Rosita Scerbo Chapter 7: The Transformative Experience of the New Continent in Maruja Mallo's Art María Alejandra Zanetta Chapter 8: Technologies of Affective Solidarity: Salvador, Brazil's Ani Ganzala & Zinha Franco Naomi Pueo Wood
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