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Italian Americans on Screen: Challenging the Past, Re-Theorizing the Future reconsiders Robert Casillo's definition of Italian-American cinema as "appl[ying] to works by Italian-American directors who treat Italian-American subjects" to expand this classification. Contributors situate Italian-American cinema and media within the contemporary and intersectional debates about ethnic identity, including race, class, gender, and sexuality studies. This book links past scholarship to theoretical underpinnings with new hermeneutical approaches in television and film to establish new interpretations…mehr
Italian Americans on Screen: Challenging the Past, Re-Theorizing the Future reconsiders Robert Casillo's definition of Italian-American cinema as "appl[ying] to works by Italian-American directors who treat Italian-American subjects" to expand this classification. Contributors situate Italian-American cinema and media within the contemporary and intersectional debates about ethnic identity, including race, class, gender, and sexuality studies. This book links past scholarship to theoretical underpinnings with new hermeneutical approaches in television and film to establish new interpretations concerning Italian Americans on screen. Scholars of film studies, media studies, cultural studies, and sociology will find this book particularly useful.
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Autorenporträt
Ryan Calabretta-Sajder is assistant professor of Italian at the University of Arkansas, Fayetteville. Alan J. Gravano is assistant professor and writing center director at Rocky Mountain University.
Inhaltsangabe
Introduction Ryan Calabretta-Sajder & Alan Gravano Part I: What is Italian-American Cinema? 1.What is Italian about Sofia Coppola? Tracing Ethnicity in Third-Generation Feminist Cinema Colleen Ryan 2.Edible Ethnicity: Italian-American Representations, Cinematic Style, and Ethnic Commodification in Stanley Tucci's and Campbell Scott's Big Night Jonathan Cavallero 3.Questioning the Italian-American Palooka: From Definition of Race to Disabilities in Avildsen's Rocky, Coogler's Creed, and Caple Jr's Creed II Alan Gravano Part II: Blurring the Lines between Italian and American on Screen 4.The Italian Pursuit of Hollywood Mary Ann McDonald Carolan 5.Comedies of Identity: Italian Cinema and Television Narrating Italian Americans Giuseppe Sorrentino Part III: Re-Viewing Italian Americana on Screen: Reception and Reflections 6.Who's Laughing at Whom? Masculinity, Humor, and Italian American Lives on Mainstream Television: Friends Ryan Calabretta-Sajder 7.Tony Soprano Meets Furio Giunta: Ital
Introduction Ryan Calabretta-Sajder & Alan Gravano Part I: What is Italian-American Cinema? 1.What is Italian about Sofia Coppola? Tracing Ethnicity in Third-Generation Feminist Cinema Colleen Ryan 2.Edible Ethnicity: Italian-American Representations, Cinematic Style, and Ethnic Commodification in Stanley Tucci's and Campbell Scott's Big Night Jonathan Cavallero 3.Questioning the Italian-American Palooka: From Definition of Race to Disabilities in Avildsen's Rocky, Coogler's Creed, and Caple Jr's Creed II Alan Gravano Part II: Blurring the Lines between Italian and American on Screen 4.The Italian Pursuit of Hollywood Mary Ann McDonald Carolan 5.Comedies of Identity: Italian Cinema and Television Narrating Italian Americans Giuseppe Sorrentino Part III: Re-Viewing Italian Americana on Screen: Reception and Reflections 6.Who's Laughing at Whom? Masculinity, Humor, and Italian American Lives on Mainstream Television: Friends Ryan Calabretta-Sajder 7.Tony Soprano Meets Furio Giunta: Ital
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