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Tish Oney merges the worlds of jazz and classical singing in a comprehensive guide for those teaching and singing jazz. Legendary jazz singers' performance strategies are discussed providing unique insights. Jazz Singing combines jazz stylization and improvisational techniques with classic voice pedagogy to outline a method that builds the jazz voice upon a strong foundation of proper alignment, efficient breathing, healthy phonation, a clear understanding of vocal anatomy, and the physics of singing. Various strategies to enhance improvisation and artistry are presented, and mindful…mehr
Tish Oney merges the worlds of jazz and classical singing in a comprehensive guide for those teaching and singing jazz. Legendary jazz singers' performance strategies are discussed providing unique insights. Jazz Singing combines jazz stylization and improvisational techniques with classic voice pedagogy to outline a method that builds the jazz voice upon a strong foundation of proper alignment, efficient breathing, healthy phonation, a clear understanding of vocal anatomy, and the physics of singing. Various strategies to enhance improvisation and artistry are presented, and mindful coordination of all aspects is emphasized to create authentic, healthy jazz singing in this groundbreaking book.
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Autorenporträt
Tish Oney has headlined with symphony orchestras, big bands, and jazz combos throughout the world and has recorded five albums as leader. Possessing a doctorate in jazz from University of Southern California, this internationally acclaimed jazz singer, musicologist, arranger, composer, and conductor has served several institutions as professor and visiting artist. She writes a column titled "Anatomy of a Standard" for All About Jazz and authored Peggy Lee: A Century of Song.
Inhaltsangabe
Introduction Chapter 1 - The Science of Singing Anatomy of the Larynx Anatomy of the Breathing Mechanism Anatomy of the Ear and Hearing Protection The Physics of Singing Chapter 2 - Vocal Health and Hygiene Habits to Cultivate for a Healthy Voice Daily Check-In and Warm-Up The Healthy Speaking Voice Sleep Hygiene The Voice Care Team Hearing Protection Environmental Considerations Voice Problems and Pathologies Voice Preservation Chapter 3 - Posture and Alignment Balance Points in the Skeleton Coordinating Body Alignment Singer-Instrumentalists Benefits of Excellent Posture Posture Lessons from the Masters Chapter 4 - Managing the Breath The Process of Breathing Applying the Singer's Breath to Jazz Helpful Breathing Exercises Chapter 5 - Phonation, Articulation, and Resonance Phonation Articulation Resonance Dr. Oney's Mix Continuum Chapter 6 - Jazz Style and Ornamentation Jazz Language Jazz Across the World Style in the Voices of Jazz Masters The Listening Diet Tools for Teaching Jazz Style The Bag of Tricks Chapter 7 - Vocal Improvisation Melodic Embellishment Scat Improvisation Text-Based Improvisation Vocalese Lyric Improvisation Free Improvisation World Music and Improvisation Chapter 8 - Phrasing and Expression Phrase Types Steps to Learning a Song Back-Phrasing Learning Phrasing from the Masters The Art of Expression Chapter 9 - Microphone Technique and Vowel Shaping Basics of Microphone Technique Types of Microphones Crossover Work with a Microphone Navigating the Mix Continuum with a Microphone Selecting Microphones Sound Checks Microphone Technique and Communication Mic Technique of the Masters Vowel Purity Microphones and Articulation Subtlety is Key Chapter 10 - Vocal Jazz Ensembles What is Blend? Balance Authentic Style Instrumentalists as Choir Directors Solo Voices in a Choral Setting Vocal Jazz Repertoire Tips for an Effective Rehearsal Structuring the Rehearsal Building the Vocal Jazz Ensemble Guided Listening to Professional Ensembles Chapter 11 - Dalcroze Eurhythmics and Voice Pedagogy Introduction to the Dalcroze Method Three Pillars of Instruction Benefits of Studying Dalcroze Exercises Applications of Dalcroze Exercises in the Applied Studio Types of Dalcroze Exercises Application of Dalcroze Exercises in the Vocal Jazz Ensemble Chapter 12 - Jazz Theory and Instrumental Approaches Scales and Modes Chord Progressions and Form Motivic Improvisation Thirds, Sevenths, and Extensions Hemisphericity Transcription Chapter 13 - Mindful Singing and Mental Toughness Pre-Performance Mental Preparation The Vocal Warmup Routine McCloskey's Points of Relaxation Breathing Exercises Mindful Practice Mental Toughness Chapter 14 - Arranging and Bandleading The Jazz Singer-Arranger Constructing a Professional Arrangement Playing with Styles Bandleading Chapter 15 - Artistry and Pedagogy-Putting It All Together The Complete Singing Artist The Singer-Entrepreneur Alternate Paths A Complete Pedagogy Artistry as Gestalt Consistency and Practice Evolving Artistry Throughout Life True Artistic Mastery Appendix: Sample Practice Guide Teaching the Crossover Singer Sample Practice Guide Part I: Strengthening Technique Sample Practice Guide Part II: Expression and Communication Selected Bibliography
Introduction Chapter 1 - The Science of Singing Anatomy of the Larynx Anatomy of the Breathing Mechanism Anatomy of the Ear and Hearing Protection The Physics of Singing Chapter 2 - Vocal Health and Hygiene Habits to Cultivate for a Healthy Voice Daily Check-In and Warm-Up The Healthy Speaking Voice Sleep Hygiene The Voice Care Team Hearing Protection Environmental Considerations Voice Problems and Pathologies Voice Preservation Chapter 3 - Posture and Alignment Balance Points in the Skeleton Coordinating Body Alignment Singer-Instrumentalists Benefits of Excellent Posture Posture Lessons from the Masters Chapter 4 - Managing the Breath The Process of Breathing Applying the Singer's Breath to Jazz Helpful Breathing Exercises Chapter 5 - Phonation, Articulation, and Resonance Phonation Articulation Resonance Dr. Oney's Mix Continuum Chapter 6 - Jazz Style and Ornamentation Jazz Language Jazz Across the World Style in the Voices of Jazz Masters The Listening Diet Tools for Teaching Jazz Style The Bag of Tricks Chapter 7 - Vocal Improvisation Melodic Embellishment Scat Improvisation Text-Based Improvisation Vocalese Lyric Improvisation Free Improvisation World Music and Improvisation Chapter 8 - Phrasing and Expression Phrase Types Steps to Learning a Song Back-Phrasing Learning Phrasing from the Masters The Art of Expression Chapter 9 - Microphone Technique and Vowel Shaping Basics of Microphone Technique Types of Microphones Crossover Work with a Microphone Navigating the Mix Continuum with a Microphone Selecting Microphones Sound Checks Microphone Technique and Communication Mic Technique of the Masters Vowel Purity Microphones and Articulation Subtlety is Key Chapter 10 - Vocal Jazz Ensembles What is Blend? Balance Authentic Style Instrumentalists as Choir Directors Solo Voices in a Choral Setting Vocal Jazz Repertoire Tips for an Effective Rehearsal Structuring the Rehearsal Building the Vocal Jazz Ensemble Guided Listening to Professional Ensembles Chapter 11 - Dalcroze Eurhythmics and Voice Pedagogy Introduction to the Dalcroze Method Three Pillars of Instruction Benefits of Studying Dalcroze Exercises Applications of Dalcroze Exercises in the Applied Studio Types of Dalcroze Exercises Application of Dalcroze Exercises in the Vocal Jazz Ensemble Chapter 12 - Jazz Theory and Instrumental Approaches Scales and Modes Chord Progressions and Form Motivic Improvisation Thirds, Sevenths, and Extensions Hemisphericity Transcription Chapter 13 - Mindful Singing and Mental Toughness Pre-Performance Mental Preparation The Vocal Warmup Routine McCloskey's Points of Relaxation Breathing Exercises Mindful Practice Mental Toughness Chapter 14 - Arranging and Bandleading The Jazz Singer-Arranger Constructing a Professional Arrangement Playing with Styles Bandleading Chapter 15 - Artistry and Pedagogy-Putting It All Together The Complete Singing Artist The Singer-Entrepreneur Alternate Paths A Complete Pedagogy Artistry as Gestalt Consistency and Practice Evolving Artistry Throughout Life True Artistic Mastery Appendix: Sample Practice Guide Teaching the Crossover Singer Sample Practice Guide Part I: Strengthening Technique Sample Practice Guide Part II: Expression and Communication Selected Bibliography
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