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"Perazzo Domm's research skillfully familiarizes the reader with the range of ways in which Burrows's oeuvre plays at the edges of normativestructures. ... I find myself drawn to consider the potential of this manuscript to act as exemplar. ... this latest contribution to the field of dance studies, is a method of articulation that demonstrates empathy and deep listening with respect to both the artist and the work-a quality often absent in theoretical publications." (Gemma Collard-Stokes, Dance Chronicle, Vol. 43 (3), 2020)