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This book traces the literary friendship between Joseph Conrad and H. G. Wells from their early correspondence through to the differences that caused their estrangement, including their respective responses to the First World War. It thus gives an overview of the literary scene in the late Victorian and early Edwardian period.
This book traces the literary friendship between Joseph Conrad and H. G. Wells from their early correspondence through to the differences that caused their estrangement, including their respective responses to the First World War. It thus gives an overview of the literary scene in the late Victorian and early Edwardian period.
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Autorenporträt
Linda Dryden is Professor of English Literature at Edinburgh Napier University, and Director of the University's Centre for Literature and Writing (CLAW). She is author of two monographs, Joseph Conrad and the Imperial Romance, and The Modern Gothic and Literary Doubles: Stevenson, Wilde and Wells, and co-editor of Stevenson and Conrad: Writers of Transition.
Inhaltsangabe
Acknowledgements Introduction 1. Martians, Sleepers, Time Travellers and Hearts of Darkness 2. Conrad, Wells, Ford and the Ghost of Robert Louis Stevenson 3. Quap, Ivory, and Insect Empires 4. 'The difference between us': Science, Politics and the Human Factor 5. Conrad, Wells, and the Art of the Novel 6. The Shape of War and of Things to Come Afterword Bibliography Index
Acknowledgements Introduction 1. Martians, Sleepers, Time Travellers and Hearts of Darkness 2. Conrad, Wells, Ford and the Ghost of Robert Louis Stevenson 3. Quap, Ivory, and Insect Empires 4. 'The difference between us': Science, Politics and the Human Factor 5. Conrad, Wells, and the Art of the Novel 6. The Shape of War and of Things to Come Afterword Bibliography Index
Rezensionen
"Dryden's thoroughly researched monograph contains a very systematically organized and impressive bulk of data on the two turn-of-the-century writers' relationship, and she advances her argument in a clear, reader-friendly style. ... researchers looking for intersections of the two authors' art, which have a great potential for fruitful inter-textual analysis, will probably find Dryden's volume most helpful." (Angelika Reichmann, Hungarian Journal of English and American Studies, Vol. 22 (2), Fall, 2016)
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