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John Lahr manages to write better about the theatre than anybody in the English language, says Richard Eyre. Joy Ride, which includes the best of his New Yorker profiles and reviews, makes his expertise and his exhilaration palpable. From modern greats, like Arthur Miller, Harold Pinter, David Mamet, Tony Kushner and August Wilson, through the work of directors like Nicholas Hytner and Ingmar Bergman, to Shakespeare himself, the depth of Lahrs understanding is plain to see and extraordinary to read. He brings the reader up close and personal to the artists and their art. Whether you are a…mehr

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Produktbeschreibung
John Lahr manages to write better about the theatre than anybody in the English language, says Richard Eyre. Joy Ride, which includes the best of his New Yorker profiles and reviews, makes his expertise and his exhilaration palpable. From modern greats, like Arthur Miller, Harold Pinter, David Mamet, Tony Kushner and August Wilson, through the work of directors like Nicholas Hytner and Ingmar Bergman, to Shakespeare himself, the depth of Lahrs understanding is plain to see and extraordinary to read. He brings the reader up close and personal to the artists and their art. Whether you are a regular theatre-goer, or just starting out, Lahrs book delights as both a celebration and a guide.

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Autorenporträt
John Lahr has been writing about theatre and popular culture for The New Yorker since 1992. He is the author of sixteen books, among them Dame Edna Everage and the Rise of Western Civilisation: Backstage with Barry Humphries, Notes on a Cowardly Lion: The Biography of Bert Lahr, and Show and Tell. John Lahr divides his time between New York and London.