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In "Last Post," Ford Madox Ford masterfully concludes his acclaimed Parade's End tetralogy, employing a blend of modernist literary techniques and a keen psychological insight into the complexities of post-World War I society. The narrative intricately weaves themes of disillusionment, identity, and the shifting dynamics of class and gender roles, reflecting the tumultuous backdrop of early 20th-century England. Ford's distinctive prose, characterized by his use of fragmented timelines and rich, multi-dimensional characters, invites readers into the psyche of Christopher Tietjens as he…mehr

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Produktbeschreibung
In "Last Post," Ford Madox Ford masterfully concludes his acclaimed Parade's End tetralogy, employing a blend of modernist literary techniques and a keen psychological insight into the complexities of post-World War I society. The narrative intricately weaves themes of disillusionment, identity, and the shifting dynamics of class and gender roles, reflecting the tumultuous backdrop of early 20th-century England. Ford's distinctive prose, characterized by his use of fragmented timelines and rich, multi-dimensional characters, invites readers into the psyche of Christopher Tietjens as he grapples with the residual impacts of war on personal relationships and societal norms. Ford Madox Ford, an influential figure in modernist literature, draws upon his own experiences as a soldier during World War I to inform the existential dilemmas faced by his characters. His unique perspective is shaped by a lifelong engagement with themes of duality and moral ambiguity, often mirrored in his personal life and relationships within the literary circles of his time, including connections with notable contemporaries such as Joseph Conrad and Ezra Pound. "Last Post" is an essential read for those interested in literary explorations of trauma and the human condition. Ford's intricate prose and profound insights render this work not only a culmination of the Parade's End saga but also a timeless reflection on the struggle for meaning in a fractured world. Readers will find themselves captivated and challenged by Ford's exploration of the emotional landscapes that linger long after the last shot is fired.

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Autorenporträt
Ford Madox Ford (the name he adopted in 1919: he was originally Ford Hermann Hueffer) was born in Merton, Surrey, in 1873. His mother, Catherine, was the daughter of the Pre-Raphaelite painter Ford Madox Brown. His father, Francis Hueffer, was a German emigré, a musicologist and music critic for The Times. Christina and Dante Gabriel Rossetti were his aunt and uncle by marriage. Ford collaborated with Joseph Conrad from 1898 to 1908, and also befriended many of the best writers of his time, including Henry James, H.G. Wells, Stephen Crane, John Galsworthy and Thomas Hardy. He is best known for his novels, especially The Fifth Queen (1906-8), The Good Soldier (1915) and Parade's End (1924-8). Ford served as an officer in the Welch Regiment 1915-19. After the war he moved to France. In Paris he founded the transatlantic review, taking on Ernest Hemingway as a sub-editor, discovering Jean Rhys and Basil Bunting, and publishing James Joyce and Gertrude Stein. In the 1920s and 1930s he moved between Paris, New York, and Provence. He died in Deauville in June 1939. The author of over eighty books, Ford is a major presence in twentieth-century writing. Paul Skinner took his first degree at the University of the West of England as a mature student, and later completed a PhD on Ford Madox Ford and Ezra Pound at the University of Bristol. He has since taught at both universities, and published articles on Ford, Pound and Rudyard Kipling. His edition of Ford's No Enemy was published by Carcanet in 2002. In 2007 he edited Ford Madox Ford's Literary Contacts, volume 6 of International Ford Madox Ford Studies. He was a bookseller for many years and now works in publishing.