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Lenard D. Moore and African American Haiku: Merging Traditions identifies Moore as a primary figure in the American Haiku Movement as well as a significant contributor to the field of African American haiku. Ce Rosenow analyzes the ways in which Moore combines haiku with a variety of other traditions: African American storytelling, jazz poetry, ekphrasis, and elegies. An examination of Moore's haibun, a Japanese form combining prose and haiku, reveals the further development of the African American aesthetic created in his individual poems. Ultimately, the author argues that Moore's…mehr
Lenard D. Moore and African American Haiku: Merging Traditions identifies Moore as a primary figure in the American Haiku Movement as well as a significant contributor to the field of African American haiku. Ce Rosenow analyzes the ways in which Moore combines haiku with a variety of other traditions: African American storytelling, jazz poetry, ekphrasis, and elegies. An examination of Moore's haibun, a Japanese form combining prose and haiku, reveals the further development of the African American aesthetic created in his individual poems. Ultimately, the author argues that Moore's decades-long engagement with haiku and his prolific publication history solidify haiku as an established form in African American poetry.
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Autorenporträt
Ce Rosenow is the author of six poetry books and chapbooks and one of eight authors of Beyond Within: A Collection of Rengay. She co-edited with Bob Arnold The Next One Thousand Years: Selected Poems of Cid Corman, co-authored with Maurice Hamington Care Ethics and Poetry, and her book Lenard D. Moore and African American Haiku: Merging Traditions was published in 2022. Rosenow is the former publisher of Mountains and Rivers Press and the former president of the Haiku Society of America. She teaches literature and writing at Lane Community College in Eugene, Oregon.
Inhaltsangabe
List of Figures Acknowledgments Credits Introduction Chapter One: Communal Narratives in Haiku Sequences Chapter Two: Jazz Poems, Jazz Haiku, and Jazzku Chapter Three: Ekphrastic Haiku Chapter Four: Elegiac Haiku Chapter Five: Haibun and an African American Aesthetic References About the Author
List of Figures Acknowledgments Credits Introduction Chapter One: Communal Narratives in Haiku Sequences Chapter Two: Jazz Poems, Jazz Haiku, and Jazzku Chapter Three: Ekphrastic Haiku Chapter Four: Elegiac Haiku Chapter Five: Haibun and an African American Aesthetic References About the Author
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