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Life as Art brings the resources of contemporary aesthetics since Nietzsche to bear on the problems of how one integrates the aesthetic emphases of meaning, liberation, and creativity into one's daily life. By linking together the aesthetic and ethical accounts of critical theorists, phenomenologists, and existentialists into a coherent view on the artful life, Life as Art shows the ways in which much of contemporary Continental theory has been concerned with alternative ways of constructing one's own life. Seen as a unified phenomenon, life as art signifies an active attempt to create a life…mehr
Life as Art brings the resources of contemporary aesthetics since Nietzsche to bear on the problems of how one integrates the aesthetic emphases of meaning, liberation, and creativity into one's daily life. By linking together the aesthetic and ethical accounts of critical theorists, phenomenologists, and existentialists into a coherent view on the artful life, Life as Art shows the ways in which much of contemporary Continental theory has been concerned with alternative ways of constructing one's own life. Seen as a unified phenomenon, life as art signifies an active attempt to create a life which bears the resistance, openness, and creativity found in artworks.
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Autorenporträt
Zachary Simpson has a B.A. in biology from Colorado College and M.A. and Ph.D. degrees in philosophy of religion from Claremont Graduate University. He also completed a post-doctoral fellowship at Harvard University in the Evolution and Theology of Cooperation Project, and is currently an Assistant Professor of Philosophy and Religious Studies at the University of Science and Arts of Oklahoma. Zachary has worked in an editorial capacity on seven different volumes, including The Oxford Handbook of Religion and Science (associate editor; Oxford University Press, 2006) and Adventures in the Spirit: New Forays in Philosophical Theology (Fortress Press, 2008). He has published articles related to phenomenology, deconstruction, and science and religion.
Inhaltsangabe
Part I: Introducing Life as Art Chapter 1: The Path Ahead Chapter 2: Dandyism and Life is Art Chapter 3: Nietzsche's Ideal Types Part II: Resistant Chapter 4: Theodor Adorno on Negative Thinking and Utopia Chapter 5: Herbert Marcuse and the Artful Individual Part III: Affirmation Chapter 6: Martin Heidegger and Poetic Thinking Chapter 7: Merleau-Ponty and Marion on the Thought of Being Part IV: Creation Chapter 8: Albert Camus on the Life Artist Chapter 9: Foucault's Aesthetics of Existence Chapter 10: Conclusion: Life as Art
Part I: Introducing Life as Art Chapter 1: The Path Ahead Chapter 2: Dandyism and Life is Art Chapter 3: Nietzsche's Ideal Types Part II: Resistant Chapter 4: Theodor Adorno on Negative Thinking and Utopia Chapter 5: Herbert Marcuse and the Artful Individual Part III: Affirmation Chapter 6: Martin Heidegger and Poetic Thinking Chapter 7: Merleau-Ponty and Marion on the Thought of Being Part IV: Creation Chapter 8: Albert Camus on the Life Artist Chapter 9: Foucault's Aesthetics of Existence Chapter 10: Conclusion: Life as Art
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