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Like A Hammer is an anthology of poems that unearths the shared traumas produced by America's incarceration system. These powerful poems of witness seek to address the oppressive systems that make up the US prison-industrial complex, revealing cracks in a criminal punishment system that too often appears unchangeable. The impacts of that system reverberate through lives and across generations. The poets gathered here aim to foreground the real experiences of people touched by the system, to upend dominant narratives, shine light on injustice, and act as a fulcrum around which to organize…mehr
Like A Hammer is an anthology of poems that unearths the shared traumas produced by America's incarceration system. These powerful poems of witness seek to address the oppressive systems that make up the US prison-industrial complex, revealing cracks in a criminal punishment system that too often appears unchangeable. The impacts of that system reverberate through lives and across generations. The poets gathered here aim to foreground the real experiences of people touched by the system, to upend dominant narratives, shine light on injustice, and act as a fulcrum around which to organize communities in support of change. Like A Hammer explores how art and imagination can serve as vehicles for endurance, offering us the hope to envision a better future. Contributors include: Hanif Abdurraqib, Rhionna Anderson, Brian Batchelor, Reginald Dwayne Betts, Marina Bueno, Cody Bruce, Marcelo Hernandez Castillo, Natalie Diaz, Tongo Eisen-Martin, Nikky Finney, Kennedy A. Gisege, Gustavo Guerra, Jessica Hill, Vicki Hicks, Randall Horton, Sandra Jackson, Catherine LaFleur, Ada Limón, Sarah Lynn Maatsch, Christopher Malec, Eduardo Martinez, John Murillo, Angel Nafis, Kenneth Nadeau, Leeann Parker, James Pearl, Christina Pernini, Roque Raquel Salas Rivera, Patrick Rosal, Nicole Sealey, Evie Shockley, Patricia Smith, Sin á Tes Souhaits, Vanessa Angélica Villarreal, Erica "Ewok" Walker, Candace Williams, and SHE>i
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Autorenporträt
Diana Marie Delgado is the Executive Director of Hugo House and has more than twenty years of experience working in not-for-profits focused on advancing social justice and the arts. Her first collection, Tracing the Horse, was a New York Times Noteworthy Pick. Her chapbook, Late-Night Talks with Men I Think I Trust, was the 2018 Center for Book Arts winner and she has published poetry in Ploughshares, Ninth Letter, New York Times Magazine, Colorado Review, and Tin House. Delgado received her bachelor's degree at UC Riverside and her MFA at Columbia University. Her selected honors and awards include grants from the National Endowment for the Arts, Hedgebrook, Breadloaf, and the James D. Phelan Foundation. She is a member of the CantoMundo and Macondo writing communities.
Inhaltsangabe
Foreword: The Army of the Wronged, Keeanga-Yamahtta Taylor Introduction, Diana Marie Delgado I. Time Rules this Empire: Where Clocks Stand Still : .OR. THIS MALUS THING NEVER TO BE CONFUSED WITH JUSTICE, Randall Horton ALL THE TV SHOWS ARE ABOUT COPS, Hanif Abdurraqib TRAP noun. \¿trap\, Sin á Tes Souhaits Marriage, Rhionna Anderson WHICH IS IT?, Christopher Malec BLOOD HISTORY, Reginald Dwayne Betts Architect 1, Vanessa Angélica Villarreal Lost, Sandra Jackson Under Correction I, Natalie Diaz Behind the Wall, Christina Pernini II. Be Careful How You Speak about Rainbows: Beauty & Grace A.G.A.M., Eduardo Martinez Bloom, Catherine LaFleur Eclogue: A Field Guide and Cure, Marcelo Hernandez Castillo Scattered like Yellow Feathers, Kennedy Gisege En las primeras décadas del nuevo siglo, Raquel Salas Rivera In the first decades of the new century, Raquel Salas Rivera Knees Next to Their Wallets, Tongo Eisen-Martin D.O.C. “department of castration,” Pat Ewok III. The Bill is Past Due: The Hustle 10 Toes Down, Sin á Tes Souhaits If I were a Boy, Leeann Parker The Ballad of Stagolee, or Variation on a Theme by Sterling A. Brown with a Slight Nod to Etheridge Knight, John Murillo Political Arithmetic, Brian Batchelor black, body, Candace Williams ALL THE TV SHOWS ARE ABOUT COPS, Hanif Abdurraquib Everything I Know About Horses, Kenneth Nadeau IV: American Inferno: Inside the Cell Free, Leeann Parker american inferno, Evie Shockley ORDER’S UP, Christopher Malec FLASHBACK TO THE CELL, Randall Horton Devour , Catherine LaFleur Cellfish, SHE>i Break from Madness, Kennedy A. Gisege cinderblock calendars, Eduardo Martinez Under Correction II, Natalie Diaz ONLY ONE CLOCK, Patricia Smith V. What Is Caged Is Also Kept from Us: The People The First Day, Vicki Hicks BUT THE PHONE RINGS SOMETIMES, Patricia Smith What is Caged is Also Kept From Us, Ada Limón When Every Word is a Name, Reginald Dwayne Betts Reasons, Jessica Hill Sometimes I Wonder if God Really Fuck With Me Like That, Sin á Tes Souhaits can’t unsee, Evie Shockley Identity of a Prisoner, Cody Bruce My Father the Sahib, James Pearl Gustavo Guerra, Vacillating Click!, Sarah Lynn Maatsch Ghazal to Open Cages, Angel Nafis VI. The Nakedness Dark Demands: Surveillance and Shapeshifting Architect 3, Vanessa Angélica Villarreal Pages Thirteen to Twenty-One from The Ferguson Report: An Erasure, Nicole Sealey Brutality, Marina Bueno Under Correction III, Natalie Diaz Sonnet Triptych, Marcelo Hernandez Castillo La promiscuidad tan indeseable, Roque Raquel Salas Rivera Such undesirable promiscuity, Roque Raquel Salas Rivera VII. Like A Hammer Across the Page: The Poor, Friendless & Black Black Boy with Cow, A Still Life, Nikky Finney Notes Acknowledgments Biographies
Foreword: The Army of the Wronged, Keeanga-Yamahtta Taylor Introduction, Diana Marie Delgado I. Time Rules this Empire: Where Clocks Stand Still : .OR. THIS MALUS THING NEVER TO BE CONFUSED WITH JUSTICE, Randall Horton ALL THE TV SHOWS ARE ABOUT COPS, Hanif Abdurraqib TRAP noun. \¿trap\, Sin á Tes Souhaits Marriage, Rhionna Anderson WHICH IS IT?, Christopher Malec BLOOD HISTORY, Reginald Dwayne Betts Architect 1, Vanessa Angélica Villarreal Lost, Sandra Jackson Under Correction I, Natalie Diaz Behind the Wall, Christina Pernini II. Be Careful How You Speak about Rainbows: Beauty & Grace A.G.A.M., Eduardo Martinez Bloom, Catherine LaFleur Eclogue: A Field Guide and Cure, Marcelo Hernandez Castillo Scattered like Yellow Feathers, Kennedy Gisege En las primeras décadas del nuevo siglo, Raquel Salas Rivera In the first decades of the new century, Raquel Salas Rivera Knees Next to Their Wallets, Tongo Eisen-Martin D.O.C. “department of castration,” Pat Ewok III. The Bill is Past Due: The Hustle 10 Toes Down, Sin á Tes Souhaits If I were a Boy, Leeann Parker The Ballad of Stagolee, or Variation on a Theme by Sterling A. Brown with a Slight Nod to Etheridge Knight, John Murillo Political Arithmetic, Brian Batchelor black, body, Candace Williams ALL THE TV SHOWS ARE ABOUT COPS, Hanif Abdurraquib Everything I Know About Horses, Kenneth Nadeau IV: American Inferno: Inside the Cell Free, Leeann Parker american inferno, Evie Shockley ORDER’S UP, Christopher Malec FLASHBACK TO THE CELL, Randall Horton Devour , Catherine LaFleur Cellfish, SHE>i Break from Madness, Kennedy A. Gisege cinderblock calendars, Eduardo Martinez Under Correction II, Natalie Diaz ONLY ONE CLOCK, Patricia Smith V. What Is Caged Is Also Kept from Us: The People The First Day, Vicki Hicks BUT THE PHONE RINGS SOMETIMES, Patricia Smith What is Caged is Also Kept From Us, Ada Limón When Every Word is a Name, Reginald Dwayne Betts Reasons, Jessica Hill Sometimes I Wonder if God Really Fuck With Me Like That, Sin á Tes Souhaits can’t unsee, Evie Shockley Identity of a Prisoner, Cody Bruce My Father the Sahib, James Pearl Gustavo Guerra, Vacillating Click!, Sarah Lynn Maatsch Ghazal to Open Cages, Angel Nafis VI. The Nakedness Dark Demands: Surveillance and Shapeshifting Architect 3, Vanessa Angélica Villarreal Pages Thirteen to Twenty-One from The Ferguson Report: An Erasure, Nicole Sealey Brutality, Marina Bueno Under Correction III, Natalie Diaz Sonnet Triptych, Marcelo Hernandez Castillo La promiscuidad tan indeseable, Roque Raquel Salas Rivera Such undesirable promiscuity, Roque Raquel Salas Rivera VII. Like A Hammer Across the Page: The Poor, Friendless & Black Black Boy with Cow, A Still Life, Nikky Finney Notes Acknowledgments Biographies
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