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A brilliant translation of this classic account of the art of memory and the logic of linkage and combination, the two traditions deriving from the Classical world and the late medieval period, and becoming intertwined in the 16th Century. From this intertwining emerged a new tradition, a grandiose project for an 'alphabet of the world' or 'Clavis Universalis'. Translated with an Introduction by Stephen Clucas.
A brilliant translation of this classic account of the art of memory and the logic of linkage and combination, the two traditions deriving from the Classical world and the late medieval period, and becoming intertwined in the 16th Century. From this intertwining emerged a new tradition, a grandiose project for an 'alphabet of the world' or 'Clavis Universalis'. Translated with an Introduction by Stephen Clucas.
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Autorenporträt
Paolo Rossi is Emeritus Professor of the History of Philosophy at the University of Florence and Fellow of the Accademia Nazionale dei Lincei.
Inhaltsangabe
Translator's Introduction Preface Preface to the second edition I The Power of Images and the Places of Memory II Encyclopaedism and Combinatoria in the Sixteenth Century III Theatres of the World IV The Imaginative Logic of Giordano Bruno V Artificial Memory and the New Scientific Method: Ramus, Bacon, Descartes VI Encyclopaedism and pansophia VII The Construction of a Universal Language VIII The Sources of Leibniz's Universal Character Appendices I The Liber ad memoriam confirmandam of Ramon Lull II An anonymous vernacular treatise of the fourteenth century III Two fifteenth-century manuscripts on the ars memorativa IV Documents on the activities of Pietro da Ravenna V Three late sixteenth-century manuscripts on the ars memorativa VI Petrarch as teacher of the art of memory VII An unpublished text by Giulio Camillo VIII memory exercises in seventeenth-century Germany IX The article on 'L'art mnemonique' from Diderot's encyclopaedia X D'Alembert and 'real characters' Notes Index
Translator's Introduction Preface Preface to the second edition I The Power of Images and the Places of Memory II Encyclopaedism and Combinatoria in the Sixteenth Century III Theatres of the World IV The Imaginative Logic of Giordano Bruno V Artificial Memory and the New Scientific Method: Ramus, Bacon, Descartes VI Encyclopaedism and pansophia VII The Construction of a Universal Language VIII The Sources of Leibniz's Universal Character Appendices I The Liber ad memoriam confirmandam of Ramon Lull II An anonymous vernacular treatise of the fourteenth century III Two fifteenth-century manuscripts on the ars memorativa IV Documents on the activities of Pietro da Ravenna V Three late sixteenth-century manuscripts on the ars memorativa VI Petrarch as teacher of the art of memory VII An unpublished text by Giulio Camillo VIII memory exercises in seventeenth-century Germany IX The article on 'L'art mnemonique' from Diderot's encyclopaedia X D'Alembert and 'real characters' Notes Index
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