The cast of characters includes: the young runaways and homeless addicts who inhabit Love Palace; the soon-to-be-evicted tenants including a former Black Panther, who live next door; the charismatic cult leader John whose need to connect with everyone includes having sex; Robby, the man/boy who uses Jesus to fight his homosexual attractions and asks Martha to marry him on their first date; Robbie's wealthy parents whose church supports Love Palace, where the John preaches while seducing Robbie's mother; Martha's communist Jewish grandmother who raised her and is dying in a nursing home; Martha's therapist, Madame Landowska, who insists on payment to continue treatment but comes to Martha's wedding ("I adore weddings," she tells Martha, "They represent hope for the future."); and more. These characters come alive as an incredible range of vivid individuals each with their own flaws and yearnings, seen through the sharp eyes of the empathetic narrator.
It is Martha's ability to sympathize with even the creepiest characters which gives nuance to what is essentially a morality tale: pitting the disenfranchised poor against the steamroller of capitalism. Who is stealing money from Love Palace's bank account? Will Martha and Robbie's unlikely marriage work? Can the little guy ever win? We are propelled through action-packed scenes to an unexpected and satisfying conclusion. If at times the personalities are so large that they verge on caricature, they are redeemed by the deftness of the author's touch.
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