Constant scrutiny by surveillance cameras is usually seen as - at best - an invasion of privacy, and at worst an infringement of human rights. But in this radical new account of the uses of surveillance in art, performance and popular culture, John E McGrath sets out a surprizing alternative: a world where we have much to gain from the experience of being watched.
This iconoclastic book develops a notion of surveillance space - somewhere beyond the public and the private, somewhere we will all soon live. It's a place we're just beginning to understand.
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