The text is split into four thematic sections, each of which begins with a short introduction from the editor, the sections include:
- Border Patrols, addresses the artistic canon and its relationship to the ongoing 'war on terror', globalization, and the rise of the Belgian nationalist party.
- The Subjects of Art History, questions whether 'art' and 'history' are really what the discipline seeks to understand.
- Instituting Art History, concerns art history and its relation to the university and raises questions about the mission, habits, ethics and limits of university today.
- Old Master, New Institutions, shows how art history and the museum respond to nationalism, corporate management models and the 'culture wars'.
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