Oliphant's stories set in the afterlife depict the dead as inhabiting a new existence characterised by spiritual growth, while her tales set on earth attempt contact between the mortal and immortal planes. García-Walsh illustrates Oliphant's unique theological conception of "afterliving", which ultimately seeks to eradicate the divide between the living and their deceased loved ones, reimagining death as a liminal passage towards God and divine self-development. This book thus suggests a new direction for Gothic studies by showing how Oliphant's supernatural fiction provided a means of "curative" writing, transforming the traumatic reality of death into a source of hope. The volume is suited for students, researchers and academics in the disciplines of literature and history, particularly the fields of nineteenth-century studies, Victorian studies and Gothic studies with an interest in women's writing, theology and mental health/trauma studies.
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