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Five plays from the sensational voice of new writing for Irish theatre. Since winning the George Devine Award for Howie the Rookie in 1999, Mark O'Rowe has electrified audiences with his distinctive dramatic style and dark, dangerous storytelling. The collection includes: From Both Hips The Aspidistra Code Howie the Rookie Made in China And the previously unpublished play, Crestfall. In O'Rowe's first play, The Aspidistra Code (1995), Brendan and Sonia, head over heels in debt, are forced to hire their own protection against a volatile loan shark. From Both Hips (1997) sees Paul, a Dublin man…mehr

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Produktbeschreibung
Five plays from the sensational voice of new writing for Irish theatre. Since winning the George Devine Award for Howie the Rookie in 1999, Mark O'Rowe has electrified audiences with his distinctive dramatic style and dark, dangerous storytelling. The collection includes: From Both Hips The Aspidistra Code Howie the Rookie Made in China And the previously unpublished play, Crestfall. In O'Rowe's first play, The Aspidistra Code (1995), Brendan and Sonia, head over heels in debt, are forced to hire their own protection against a volatile loan shark. From Both Hips (1997) sees Paul, a Dublin man shot in the hip during a bungled police raid, embark on a violent journey of revenge. In Howie the Rookie (which also won the 'Rooney Prize for Irish Literature'), brutal events take on mythical significance in a white-knuckle ride through a nightmare Dublin. In Made in China (2001), a dreadful accident sparks a savage tug-of-war between two criminal foot soldiers. And published for the first time - Crestfall (2003) - so dark that all but the tiniest glimmer of light has been extinguished, depicts three women trapped between nightmares and waking.

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Autorenporträt
Mark O'Rowe is an Irish playwright whose plays include Howie the Rookie (Bush Theatre, London, 1999), From Both Hips (Fishamble, 1997), Made in China (Abbey Theatre, Dublin, 2001), Crestfall (Gate Theatre, Dublin, 2003), Terminus (Abbey Theatre, 2007), Our Few and Evil Days (Abbey Theatre, 2014), The Approach (Landmark Productions, Project Arts Centre, Dublin, 2018) and Reunion (Landmark Productions, Galway International Arts Festival, 2024). His version of Ibsen's Hedda Gabler was staged by the Abbey Theatre in 2015. His screenplays include Broken (2012), based on the novel by Daniel Clay, Perrier's Bounty (2009), Boy A (2007), based on the novel by Jonathan Trigell, and Intermission (2004). Author photo by Ros Kavanagh