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Highlights major differences and perspectives from major contemporary studies of Marx Centers around discussion of structures, organizations, and collectives in Marx's emphasis on emancipation and democracy Especially focused on philosophical and theoretical issues but is widely accessible to readers in other disciplines

Produktbeschreibung
Highlights major differences and perspectives from major contemporary studies of Marx
Centers around discussion of structures, organizations, and collectives in Marx's emphasis on emancipation and democracy
Especially focused on philosophical and theoretical issues but is widely accessible to readers in other disciplines

Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Autorenporträt
Robert X. Ware is a Canadian philosopher, retired from The University of Calgary, Canada, and residing in Ottawa. He did post-doctoral work in linguistics at MIT and has visited universities and institutes in Yugoslavia, Zimbabwe, Belgium, Italy, India, and China (1980s), where he has taught and lectured on many subjects including Marxism.

Rezensionen
"Marx on Emancipation and Socialist Goals ... is an excellent introduction into some of the key theoretical and political controversies that have haunted the global left for the past two centuries. Ware not only succinctly presents contrasting perspectives on Marx scholarship, but also provides refreshingly provocative interventions into otherwise wearisome debates. For this, his book deserves strong praise." (Onur Acaroglu, Marx and Philosophy, marxandphilosophy.org.uk, April 17, 2020)

"The work becomes not only a contribution on the more obscure films of the director, but also an engaging discussion on militant filmmaking more generally. ... This book will be most appreciated by a more specialized audience, particularly those already familiar with Godard who are interested not only in his radical and political practices, but also his work outside of the typical cannon, including unmade films, shorts, and television projects." (Mackenzie Leadston, Studies in 20th & 21st Century Literature STTCL, Vol. 44 (1), October, 2020)