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  • Format: ePub

In 'Masks and Faces; or, Before and Behind the Curtain,' the reader embarks on a rich exploration of the multifaceted world of theater, capturing the intricate dance of public and private personas. This collection offers a kaleidoscope of literary styles ranging from stark realism to romantic escapism, reflecting the oscillating dynamics of the 19th-century theatrical scene. Delving beyond the glitz of the stage, it presents a compelling blend of narrative forms, with standout pieces that artfully reveal the transformative power of performance, both literal and metaphorical, without naming…mehr

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Produktbeschreibung
In 'Masks and Faces; or, Before and Behind the Curtain,' the reader embarks on a rich exploration of the multifaceted world of theater, capturing the intricate dance of public and private personas. This collection offers a kaleidoscope of literary styles ranging from stark realism to romantic escapism, reflecting the oscillating dynamics of the 19th-century theatrical scene. Delving beyond the glitz of the stage, it presents a compelling blend of narrative forms, with standout pieces that artfully reveal the transformative power of performance, both literal and metaphorical, without naming specific authors to maintain a unified thematic engagement. Authored by notable figures like Charles Reade and Tom Taylor, this anthology is a testament to their profound influence in Victorian drama and literature. Their backgrounds in dramatics and cultural commentary bring a vital depth to the theme of appearance versus reality, as they address societal facades against an evolving backdrop of cultural and literary movements. Their works are interwoven to reflect the intersectional themes of identity, authenticity, and the societal expectations that dictate public behavior, offering an invigorating discourse on how individuals navigate these challenges. Engage with 'Masks and Faces' to gain a panoramic view of theatrical life in Victorian society, enriched by the diverse perspectives of its contributors. This compilation serves not only as a captivating journey into the 19th-century theater but also as an educational expedition into the minds of the era's critical thinkers. It is a must-read for those keen on comprehending the essential dialogue that exists between the artist, the audience, and the oft-hidden realms behind the curtains where true identities are both concealed and revealed.

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Autorenporträt
Charles Reade was born in Ipsden, Oxfordshire, to John Reade and Anne Marie Scott-Waring. He had at least four brothers. He received his B.A. from Magdalen College, Oxford, in 1835, and later became a fellow of the college. He then became dean of arts and vice-president, and in 1847 he received his D.C.L degree. His name was entered at Lincoln's Inn in 1836; he was chosen a Vinerian Fellow in 1842 and admitted to the bar in 1843. He maintained his fellowship at Magdalen throughout his life, but after receiving his degree, he spent the majority of his time in London. William Winwood Reade, the prominent historian, was his nephew. Reade began his writing career as a dramatist, and he elected to list "dramatist" first on his tombstone. As an author, he was always aware of the stage effect in scenes, settings, and conversation. His first comedy, The Ladies' Battle, debuted at the Olympic Theatre in May 1851. It was succeeded by Angela (1851), A Village Tale (1852), The Lost Husband (1852), and Gold (1853).