Tracing the development of the historical novel in four periods of the Caribbean past-slavery, colonialism, revolution, and decolonization-this study argues that a pan-Caribbean generation of women writers, of varying discursive racial(ized) realities, has depicted similar matria constructs and maternal motifs. A politicized concept, matria functions in the historical novel as a counternarrative to traditional historical and literary discourses.
Through close readings of the mother/daughter plots in contemporary Caribbean women's historical fiction, such as Andrea Levy's The Long Song, Edwidge Danticat's The Farming of Bones, Paule Marshall's Praisesong for the Widow, and Marie-Elena John's Unburnable, Matria Redux considers the concept of matria an important vehicle for postcolonial-psychoanalytic feminist literary resistance and political intervention. Matria as a psychoanalytic, postcolonial strategy therefore envisions, by returning to history, alternative feminist fictions, futures, and Caribbeans.
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