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How do media platforms organise social life? How do media empower or disempower our identities? How do we understand the impact of algorithms? How are media audiences produced and managed? Media & Society introduces the role of the media in social, cultural, political and economic life, unpacking the increasing entanglement of digital media technology with our everyday lives. It explores the relationship between meaning and power in an age of participatory culture, social media and digital platforms. An age where we both create and consume content, and where we both give…mehr
How do media platforms organise social life? How do media empower or disempower our identities? How do we understand the impact of algorithms? How are media audiences produced and managed?
Media & Society introduces the role of the media in social, cultural, political and economic life, unpacking the increasing entanglement of digital media technology with our everyday lives.
It explores the relationship between meaning and power in an age of participatory culture, social media and digital platforms. An age where we both create and consume content, and where we both give and gain attention - translating our social lives into huge flows of data.
Associate Professor Nicholas Carah shows how a critical approach to power helps us not only to understand the role media play in shaping the social, but also how we can become critically informed media citizens ourselves, able to participate and be heard in meaningful ways.
Media & Society expertly introduces all the key concepts and ideas you need to know, and then puts theory into practice by tying them to contemporary case studies. From using Ghostery to track how your personal data is being collected, to exploring misinformation on social media via Youtube, to the reality of internships and freelancing in today's digital media industry.
It is essential reading for students of media, communication and cultural studies.
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Autorenporträt
Nicholas Carah is Director of the Centre for Digital Cultures & Societies and Professor in the School of Communication and Arts at The University of Queensland. He is also an Associate Investigator in the ARC Centre of Excellence for Automated Decision-Making and Society and leads the UQ node of the Australian Internet Observatory.
Nicholas is a UQ Teaching Fellow (2018-2019) and has been awarded the Faculty of Humanities and Social Sciences Award for Teaching Excellence (2019) and The University of Queensland Award for Teaching Excellence (2020).
Nicholas' research has been published in Media, Culture & Society, Cultural Studies, Social Media & Society, New Media & Society, Television & New Media, Convergence, Consumption, Markets & Culture and Mobile Media & Communication. He is the author of Brand Machines, Sensory Media and Calculative Culture (2016), Media and Society: Production, Content and Participation (2015) and Pop Brands: Branding, Popular Music and Young People (2010). He is the co-editor of Digital Intimate Publics and Social Media (2018) and Conflict in my Outlook (2022).
Inhaltsangabe
Introduction Chapter 1: Meaning, Representation and Power Chapter 2: Representation Chapter 3: The Industrial Production of Meaning Chapter 4: Power and Media Production Chapter 5: Global Networks Chapter 6: Platform Media Chapter 7: Social Media, Streaming and Logistics Chapter 8: Participatory and Algorithmic Culture Chapter 9: Making and Managing Audiences Chapter 10: Producing and Negotiating Identities Chapter 11: News and Strategic Communication Chapter 12: Brand Culture Chapter 13: Media and Communication Professionals Chapter 14: Managing Participation
Chapter 1: Media, Meaning and Power Chapter 2: The Industrial Production of Meaning Making Chapter 3: Platform Media Chapter 4: Social Media, Short Video Streaming and Logistics Chapter 5: Making and Managing Audiences Chapter 6: Participatory and Algorithmic Culture Chapter 7: Algorithmic Imaginaries Chapter 8: Representation Chapter 9: Digital Identities and Intimacies Chapter 10: Creator Cultures Chapter 11: Advertising and Promotional Cultures Chapter 12: News and Strategic Communication Chapter 13: Media Workers Chapter 14: Automation, Representation and Power
Introduction Chapter 1: Meaning, Representation and Power Chapter 2: Representation Chapter 3: The Industrial Production of Meaning Chapter 4: Power and Media Production Chapter 5: Global Networks Chapter 6: Platform Media Chapter 7: Social Media, Streaming and Logistics Chapter 8: Participatory and Algorithmic Culture Chapter 9: Making and Managing Audiences Chapter 10: Producing and Negotiating Identities Chapter 11: News and Strategic Communication Chapter 12: Brand Culture Chapter 13: Media and Communication Professionals Chapter 14: Managing Participation
Chapter 1: Media, Meaning and Power Chapter 2: The Industrial Production of Meaning Making Chapter 3: Platform Media Chapter 4: Social Media, Short Video Streaming and Logistics Chapter 5: Making and Managing Audiences Chapter 6: Participatory and Algorithmic Culture Chapter 7: Algorithmic Imaginaries Chapter 8: Representation Chapter 9: Digital Identities and Intimacies Chapter 10: Creator Cultures Chapter 11: Advertising and Promotional Cultures Chapter 12: News and Strategic Communication Chapter 13: Media Workers Chapter 14: Automation, Representation and Power
Rezensionen
Nicholas Carah has provided a crucial and brilliantly written text for our time: a clear-eyed and comprehensive approach to the operation of media power in the era of digital capitalism. Finally, we have a rich resource that does justice to the profound transformations wrought by the media that permeate our social world. Mark Andrejevic
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