This book provides a critical and comprehensive account of the mediation of rural darkness. Analyzing a wide range of contemporary media, from astrophotography, tourist advertisements and social media to editing software, online databases and nature documentaries, the book focuses on two competing and irreconcilable cultures of rural darkness. On the one hand, many media genres contribute to a "preservation" ideology based on the Western myth of "wilderness." Relying on the classic urban/rural binary, this culture of rural darkness imagines the night as a primal and ancient inheritance, a distant and remote frontier free from the ills of human technology. On the other hand, other media genres challenge this preservationist depiction of rural darkness, demonstrating that the rural night does not retreat from modern, urban life but is an extension of the urban-technological.
Promoting a hybrid, intermeshed view of the night, this culture of rural darkness dismantles the frontier myth by understanding "pristine" darkness as a cultural technology that seeks to erase the messy connections between the rural and the urban. The book contends that only the latter culture of rural darkness offers a responsible and accurate understanding of the rural night. Not only does the preservationist view of pristine darkness privilege "natural" darkness over other sustainable forms of gloom, but its endorsement of the frontier myth represents a flight from history, a rhetorical strategy that may actually prevent the night's protection.
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