Medieval and Renaissance Drama in England (eBook, ePUB)
Volume 38
Redaktion: Cerasano, S. P.
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Medieval and Renaissance Drama in England (eBook, ePUB)
Volume 38
Redaktion: Cerasano, S. P.
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Volume 38 of a continuing academic journal dedicated to research in the field of early drama and theatrical studies.
Medieval and Renaissance Drama in England is an annual volume committed to the publication of essays and reviews related to English drama and theater history to 1642. An internationally recognized board of scholars oversees the publication of MaRDiE . Readers who wish to deepen their understanding of early drama will find that the journal publishes wide-ranging discussions not only of plays and early performance history, but of topics pertaining to cultural history, as well as manuscript studies and the history of printing.…mehr
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Volume 38 of a continuing academic journal dedicated to research in the field of early drama and theatrical studies.
Medieval and Renaissance Drama in England is an annual volume committed to the publication of essays and reviews related to English drama and theater history to 1642. An internationally recognized board of scholars oversees the publication of MaRDiE. Readers who wish to deepen their understanding of early drama will find that the journal publishes wide-ranging discussions not only of plays and early performance history, but of topics pertaining to cultural history, as well as manuscript studies and the history of printing.
Medieval and Renaissance Drama in England is an annual volume committed to the publication of essays and reviews related to English drama and theater history to 1642. An internationally recognized board of scholars oversees the publication of MaRDiE. Readers who wish to deepen their understanding of early drama will find that the journal publishes wide-ranging discussions not only of plays and early performance history, but of topics pertaining to cultural history, as well as manuscript studies and the history of printing.
Produktdetails
- Produktdetails
- Verlag: Bloomsbury eBooks US
- Seitenzahl: 272
- Erscheinungstermin: 8. Januar 2026
- Englisch
- ISBN-13: 9781683939870
- Artikelnr.: 76043828
- Verlag: Bloomsbury eBooks US
- Seitenzahl: 272
- Erscheinungstermin: 8. Januar 2026
- Englisch
- ISBN-13: 9781683939870
- Artikelnr.: 76043828
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
S. P. Cerasano is the Edgar W. B. Fairchild Professor of Literature at Colgate University. Heather Anne Hirschfeld is distinguished professor of the humanities in the Department of English at the University of Tennessee. Edward Gieskes is professor of English at the University of South Carolina.
Foreword SHAKESPEARE AND MEMENTO MORI: ESSAYS AND COMMENTARIES Remember (Me) Sarah R.A. Waters
Sterling College
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and the Ars Moriendi Grace Tiffany
Western Michigan University
US "Now Die
Die
Die
Die
Die!" Dicing as Memento Mori in Shakespeare's Early Comedies Nora L. Corrigan
Mississippi University for Women
US Dig This: Hamlet and the Gravedigger Joe Ricke
Taylor University
US Shakespearean Meditations on Death
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and Art: "a sea change / Into something rich and strange" Tiffany Schubert
Wyoming Catholic College
US The Female Body as Memento Mori in King Lear Susan Dunn-Hensley
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US ARTICLES "The boone Delphic god / Drinks sack": Ben Jonson and the Canary Quarrels Victoria M. Muñoz
Adelphi University
US The Well-Traveled Translator-Knight Who Wrote the Ur-Hamlet June Schlueter (Lafayette College
US) and Dennis McCarthy (independent scholar) Silence in Shakespeare's Richard II David M. Bergeron
University of Kansas
US Intercessor or Nag? Reimagining the Female Saint of Medieval Drama in Shakespeare's Problem Plays Hannah Elizabeth Bowling
Lincoln University of Missouri
US Women with Weapons on the Early Modern Stage Leslie Thomson
University of Toronto
Canada REVIEWS Bradley J. Irish
Disgust in Shakespeare: The History and Science of Early Modern Revulsion
London: Bloomsbury
2023. Paul Budra
Simon Fraser University
Canada Katherine Schapp Williams
Unfixable Forms: Disability
Performance
and the Early Modern English Theatre
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NY: Cornell University Press
2021. Katey Roden
Gonzaga University
US Roberta Kwan
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Scotland: Edinburgh University Press. Jay Zysk
University of Massachusetts Dartmouth
US Index About the Editors and Contributors
Sterling College
US Macbeth
Herod
and the Ars Moriendi Grace Tiffany
Western Michigan University
US "Now Die
Die
Die
Die
Die!" Dicing as Memento Mori in Shakespeare's Early Comedies Nora L. Corrigan
Mississippi University for Women
US Dig This: Hamlet and the Gravedigger Joe Ricke
Taylor University
US Shakespearean Meditations on Death
Beauty
and Art: "a sea change / Into something rich and strange" Tiffany Schubert
Wyoming Catholic College
US The Female Body as Memento Mori in King Lear Susan Dunn-Hensley
Wheaton College
US ARTICLES "The boone Delphic god / Drinks sack": Ben Jonson and the Canary Quarrels Victoria M. Muñoz
Adelphi University
US The Well-Traveled Translator-Knight Who Wrote the Ur-Hamlet June Schlueter (Lafayette College
US) and Dennis McCarthy (independent scholar) Silence in Shakespeare's Richard II David M. Bergeron
University of Kansas
US Intercessor or Nag? Reimagining the Female Saint of Medieval Drama in Shakespeare's Problem Plays Hannah Elizabeth Bowling
Lincoln University of Missouri
US Women with Weapons on the Early Modern Stage Leslie Thomson
University of Toronto
Canada REVIEWS Bradley J. Irish
Disgust in Shakespeare: The History and Science of Early Modern Revulsion
London: Bloomsbury
2023. Paul Budra
Simon Fraser University
Canada Katherine Schapp Williams
Unfixable Forms: Disability
Performance
and the Early Modern English Theatre
Ithaca
NY: Cornell University Press
2021. Katey Roden
Gonzaga University
US Roberta Kwan
Shakespeare
the Reformation and the Interpreting Self
Edinburgh
Scotland: Edinburgh University Press. Jay Zysk
University of Massachusetts Dartmouth
US Index About the Editors and Contributors
Foreword SHAKESPEARE AND MEMENTO MORI: ESSAYS AND COMMENTARIES Remember (Me) Sarah R.A. Waters
Sterling College
US Macbeth
Herod
and the Ars Moriendi Grace Tiffany
Western Michigan University
US "Now Die
Die
Die
Die
Die!" Dicing as Memento Mori in Shakespeare's Early Comedies Nora L. Corrigan
Mississippi University for Women
US Dig This: Hamlet and the Gravedigger Joe Ricke
Taylor University
US Shakespearean Meditations on Death
Beauty
and Art: "a sea change / Into something rich and strange" Tiffany Schubert
Wyoming Catholic College
US The Female Body as Memento Mori in King Lear Susan Dunn-Hensley
Wheaton College
US ARTICLES "The boone Delphic god / Drinks sack": Ben Jonson and the Canary Quarrels Victoria M. Muñoz
Adelphi University
US The Well-Traveled Translator-Knight Who Wrote the Ur-Hamlet June Schlueter (Lafayette College
US) and Dennis McCarthy (independent scholar) Silence in Shakespeare's Richard II David M. Bergeron
University of Kansas
US Intercessor or Nag? Reimagining the Female Saint of Medieval Drama in Shakespeare's Problem Plays Hannah Elizabeth Bowling
Lincoln University of Missouri
US Women with Weapons on the Early Modern Stage Leslie Thomson
University of Toronto
Canada REVIEWS Bradley J. Irish
Disgust in Shakespeare: The History and Science of Early Modern Revulsion
London: Bloomsbury
2023. Paul Budra
Simon Fraser University
Canada Katherine Schapp Williams
Unfixable Forms: Disability
Performance
and the Early Modern English Theatre
Ithaca
NY: Cornell University Press
2021. Katey Roden
Gonzaga University
US Roberta Kwan
Shakespeare
the Reformation and the Interpreting Self
Edinburgh
Scotland: Edinburgh University Press. Jay Zysk
University of Massachusetts Dartmouth
US Index About the Editors and Contributors
Sterling College
US Macbeth
Herod
and the Ars Moriendi Grace Tiffany
Western Michigan University
US "Now Die
Die
Die
Die
Die!" Dicing as Memento Mori in Shakespeare's Early Comedies Nora L. Corrigan
Mississippi University for Women
US Dig This: Hamlet and the Gravedigger Joe Ricke
Taylor University
US Shakespearean Meditations on Death
Beauty
and Art: "a sea change / Into something rich and strange" Tiffany Schubert
Wyoming Catholic College
US The Female Body as Memento Mori in King Lear Susan Dunn-Hensley
Wheaton College
US ARTICLES "The boone Delphic god / Drinks sack": Ben Jonson and the Canary Quarrels Victoria M. Muñoz
Adelphi University
US The Well-Traveled Translator-Knight Who Wrote the Ur-Hamlet June Schlueter (Lafayette College
US) and Dennis McCarthy (independent scholar) Silence in Shakespeare's Richard II David M. Bergeron
University of Kansas
US Intercessor or Nag? Reimagining the Female Saint of Medieval Drama in Shakespeare's Problem Plays Hannah Elizabeth Bowling
Lincoln University of Missouri
US Women with Weapons on the Early Modern Stage Leslie Thomson
University of Toronto
Canada REVIEWS Bradley J. Irish
Disgust in Shakespeare: The History and Science of Early Modern Revulsion
London: Bloomsbury
2023. Paul Budra
Simon Fraser University
Canada Katherine Schapp Williams
Unfixable Forms: Disability
Performance
and the Early Modern English Theatre
Ithaca
NY: Cornell University Press
2021. Katey Roden
Gonzaga University
US Roberta Kwan
Shakespeare
the Reformation and the Interpreting Self
Edinburgh
Scotland: Edinburgh University Press. Jay Zysk
University of Massachusetts Dartmouth
US Index About the Editors and Contributors







