Monstrous media/spectral subjects (eBook, ePUB)
Imaging Gothic from the nineteenth century to the present
Redaktion: Botting, Fred; Spooner, Catherine
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Monstrous media/spectral subjects (eBook, ePUB)
Imaging Gothic from the nineteenth century to the present
Redaktion: Botting, Fred; Spooner, Catherine
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Explores the intersection of monsters, ghosts, representation and technology in Gothic texts from the nineteenth century to the present.
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- Größe: 0.41MB
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Explores the intersection of monsters, ghosts, representation and technology in Gothic texts from the nineteenth century to the present.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, D ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Princeton University Press
- Seitenzahl: 192
- Erscheinungstermin: 1. Mai 2015
- Englisch
- ISBN-13: 9780719098123
- Artikelnr.: 44052328
- Verlag: Princeton University Press
- Seitenzahl: 192
- Erscheinungstermin: 1. Mai 2015
- Englisch
- ISBN-13: 9780719098123
- Artikelnr.: 44052328
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
Fred Botting is Professor in English at Kingston University Catherine Spooner is Senior Lecturer in English at Lancaster University
Introduction
Fred Botting and Catherine Spooner Part I: Between text and image 2: Gothic wars
media's lust: on the cultural afterlife of the war dead
Elisabeth Bronfen 3: Kingdom of shadows: fin
de
siècle gothic and early cinema
Paul Foster 4: 'A mirror with a memory': the development of the negative in Victorian gothic
Gregory Brophy 5: Modern phantasmagorias and visual culture in Wilkie Collins's Basil
Laurence Talairach
Vielmas Part II: Sounding spectres 6: 'The earth died screaming': Tom Waits's Bone Machine
Steen Christiansen 7: Ghosts of the Gristleized
Dean Lockwood Part III: Moving media 8: 'Nineteenth century (up
to
date) with a vengeance': vampirism, Victorianism and collage in Guy Maddin's Dracula
Pages from a Virgin's Diary
Dorothea Schuller 9: Spectrality and the deconstruction of the cinema in Neil Burger's The Illusionist and Steven Millhauser's short stories
Jean
François Baillon 10: Performing Fabulous Monsters: Re
inventing the gothic personae in bizarre magic
Nik Taylor and Stuart Nolan 11: Body genres, night vision and the female monster: REC and the contemporary horror film
Agnieszka Soltysik Monnet 12: You have been saved: digital memory and salvation
Stephen Curtis Index
Fred Botting and Catherine Spooner Part I: Between text and image 2: Gothic wars
media's lust: on the cultural afterlife of the war dead
Elisabeth Bronfen 3: Kingdom of shadows: fin
de
siècle gothic and early cinema
Paul Foster 4: 'A mirror with a memory': the development of the negative in Victorian gothic
Gregory Brophy 5: Modern phantasmagorias and visual culture in Wilkie Collins's Basil
Laurence Talairach
Vielmas Part II: Sounding spectres 6: 'The earth died screaming': Tom Waits's Bone Machine
Steen Christiansen 7: Ghosts of the Gristleized
Dean Lockwood Part III: Moving media 8: 'Nineteenth century (up
to
date) with a vengeance': vampirism, Victorianism and collage in Guy Maddin's Dracula
Pages from a Virgin's Diary
Dorothea Schuller 9: Spectrality and the deconstruction of the cinema in Neil Burger's The Illusionist and Steven Millhauser's short stories
Jean
François Baillon 10: Performing Fabulous Monsters: Re
inventing the gothic personae in bizarre magic
Nik Taylor and Stuart Nolan 11: Body genres, night vision and the female monster: REC and the contemporary horror film
Agnieszka Soltysik Monnet 12: You have been saved: digital memory and salvation
Stephen Curtis Index
Introduction
Fred Botting and Catherine Spooner Part I: Between text and image 2: Gothic wars
media's lust: on the cultural afterlife of the war dead
Elisabeth Bronfen 3: Kingdom of shadows: fin
de
siècle gothic and early cinema
Paul Foster 4: 'A mirror with a memory': the development of the negative in Victorian gothic
Gregory Brophy 5: Modern phantasmagorias and visual culture in Wilkie Collins's Basil
Laurence Talairach
Vielmas Part II: Sounding spectres 6: 'The earth died screaming': Tom Waits's Bone Machine
Steen Christiansen 7: Ghosts of the Gristleized
Dean Lockwood Part III: Moving media 8: 'Nineteenth century (up
to
date) with a vengeance': vampirism, Victorianism and collage in Guy Maddin's Dracula
Pages from a Virgin's Diary
Dorothea Schuller 9: Spectrality and the deconstruction of the cinema in Neil Burger's The Illusionist and Steven Millhauser's short stories
Jean
François Baillon 10: Performing Fabulous Monsters: Re
inventing the gothic personae in bizarre magic
Nik Taylor and Stuart Nolan 11: Body genres, night vision and the female monster: REC and the contemporary horror film
Agnieszka Soltysik Monnet 12: You have been saved: digital memory and salvation
Stephen Curtis Index
Fred Botting and Catherine Spooner Part I: Between text and image 2: Gothic wars
media's lust: on the cultural afterlife of the war dead
Elisabeth Bronfen 3: Kingdom of shadows: fin
de
siècle gothic and early cinema
Paul Foster 4: 'A mirror with a memory': the development of the negative in Victorian gothic
Gregory Brophy 5: Modern phantasmagorias and visual culture in Wilkie Collins's Basil
Laurence Talairach
Vielmas Part II: Sounding spectres 6: 'The earth died screaming': Tom Waits's Bone Machine
Steen Christiansen 7: Ghosts of the Gristleized
Dean Lockwood Part III: Moving media 8: 'Nineteenth century (up
to
date) with a vengeance': vampirism, Victorianism and collage in Guy Maddin's Dracula
Pages from a Virgin's Diary
Dorothea Schuller 9: Spectrality and the deconstruction of the cinema in Neil Burger's The Illusionist and Steven Millhauser's short stories
Jean
François Baillon 10: Performing Fabulous Monsters: Re
inventing the gothic personae in bizarre magic
Nik Taylor and Stuart Nolan 11: Body genres, night vision and the female monster: REC and the contemporary horror film
Agnieszka Soltysik Monnet 12: You have been saved: digital memory and salvation
Stephen Curtis Index