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  • Format: ePub

The village was thunderstruck. Nay, more; the village was disapproving, almost scandalised. It was astounded to the verge of incredulity when it heard that a man who had lived in its midst quietly and peaceably for five-and-twenty years was suddenly, and without any due warning whatsoever, going to remove to the south of England not only himself, but the entire household effects of a dwelling that had never belonged to him. It is true that the minister pointed out to certain of these adverse critics that by her will Miss Esperance had left both house and furniture to Mr. Wycherly in trust for…mehr

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Produktbeschreibung
The village was thunderstruck. Nay, more; the village was disapproving, almost scandalised. It was astounded to the verge of incredulity when it heard that a man who had lived in its midst quietly and peaceably for five-and-twenty years was suddenly, and without any due warning whatsoever, going to remove to the south of England not only himself, but the entire household effects of a dwelling that had never belonged to him. It is true that the minister pointed out to certain of these adverse critics that by her will Miss Esperance had left both house and furniture to Mr. Wycherly in trust for her great-nephews; but people shook their heads: "Once the bit things were awa' to Oxford wha' kenned what he'd dae wi' them?"

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Autorenporträt
Lizzie Allen Harker was born in 1863 in Gloucester, United Kingdom, to parents James Allen and Elizabeth Allen. She became known as an English novelist and playwright, recognized for her thoughtful portrayals of domestic life and the emotional intricacies of women s experiences. Harker s works often focused on themes of duty, resilience, and the quiet strength found in everyday situations, making her stories resonate with readers in the early 20th century. One of her most notable accomplishments was co-authoring the play Marigold, which gained significant popularity and was later adapted into a film in 1938. The story s enduring appeal led to its inclusion in the BBC Radio s Saturday Night Theatre in 1943, making it part of a pioneering moment in broadcast drama. Harker's writing style reflected the period s social expectations while offering a subtle critique through strong, perceptive female characters. She had a keen understanding of family dynamics and emotional nuance, which she brought to her fiction with clarity and empathy. Lizzie Allen Harker died in 1933 in Cirencester at the age of 70, leaving behind a body of work that continues to be appreciated for its insight into the complexities of women s inner lives.