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  • Format: ePub

In 1960 Daisy Hayes was asked to replace a physiotherapist on an ocean liner, for just one round trip to New York, at very short notice. Before she knew it she was sailing on the RMS Histria, in the thick of the life on board. With the intrigues and love triangles going on around her, she marveled at the potential for murderous plots on such a voyage. "It's a good thing," she told the ship's detective, "that a liner at sea is a very bad place for killing someone. Too confined to do it undetected, and you can't get away afterwards."
Then one day at dawn a corpse was found floating on the
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Produktbeschreibung
In 1960 Daisy Hayes was asked to replace a physiotherapist on an ocean liner, for just one round trip to New York, at very short notice. Before she knew it she was sailing on the RMS Histria, in the thick of the life on board. With the intrigues and love triangles going on around her, she marveled at the potential for murderous plots on such a voyage. "It's a good thing," she told the ship's detective, "that a liner at sea is a very bad place for killing someone. Too confined to do it undetected, and you can't get away afterwards."
Then one day at dawn a corpse was found floating on the open ocean ahead of the Histria. The ship came to a lumbering halt, a launch was sent out to retrieve the dead body, and while some early birds watched from the rails, it was hoisted on board. And the corpse turned out to be that of a first-class passenger.
Impossible! Or isn't it? Our favorite blind sleuth could hardly wait to find out.


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Autorenporträt
Nick Aaron is Dutch, but he was born in South Africa (1956), where he attended a British-style boarding school, in Pietersburg, Transvaal. Later he lived in Lausanne (Switzerland), in Rotterdam, Luxembourg and Belgium. He worked for the European Parliament as a printer and proofreader. Currently he's retired and lives in Malines.

Recently, after writing in Dutch and French for many years, the author went back to the language of his mid-century South African childhood. A potential global readership was the incentive; the trigger was the character of Daisy Hayes, who asserted herself in his mind wholly formed.