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Your recording can make or break a record, and a clean recording is an essential catalyst for a record deal. Professional engineers with exceptional skills can earn vast amounts of money be in demand from the biggest acts.
To develop such skills you need to master both the art and science of recording. Rehearsal to Monitor Mix gives you all you need to know, the tools and techniques, to put into practice and improve your recording. Covering the entire process from fundamental concepts to advanced techniques and offering a multitude of tips and tricks and audio samples, this book has it…mehr

Produktbeschreibung
Your recording can make or break a record, and a clean recording is an essential catalyst for a record deal. Professional engineers with exceptional skills can earn vast amounts of money be in demand from the biggest acts.

To develop such skills you need to master both the art and science of recording. Rehearsal to Monitor Mix gives you all you need to know, the tools and techniques, to put into practice and improve your recording. Covering the entire process from fundamental concepts to advanced techniques and offering a multitude of tips and tricks and audio samples, this book has it all.

Carlos Lellis teaches you , how to craft and evaluate your recording then take it a step further. He describes the theory and the tools used how these are put into practice and then shows you how they are put together. Using audio and visual materials and field observations to aid with explanations

Packed full of photos, graphs, diagrams and audio samples, Rehearsal to Monitor Mix is a vital read for anyone wanting to succeed in the field of recording


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Autorenporträt
Carlos Lellis holds an SAE/Middlesex University MA in Creative Media and a diploma Summa Cum Laude from Berklee College of Music. He has worked as an engineer and producer with artists such as Rosabella Gregory, Joby Talbot and Grammy Award winners Sir John Tavener and Thomas Dybdahl amongst many others. He is currently the head lecturer at SAE Institute, London, where he oversees the first year of the BA/BSc programme in Sound Production.