Sie sind bereits eingeloggt. Klicken Sie auf 2. tolino select Abo, um fortzufahren.
Bitte loggen Sie sich zunächst in Ihr Kundenkonto ein oder registrieren Sie sich bei bücher.de, um das eBook-Abo tolino select nutzen zu können.
As we listen and move to music, sing, compose, and play, we engage in musical experiences. These happen in formal learning settings, such as schools and rehearsal halls, but also in informal settings, such as homes and community centers. Musical experiences are fundamentally social and can teach us about ourselves and our relationship to others. This book explores some of the many ways we experience music and create musical meaning from infancy through older adulthood. While vignettes, narratives, and cases form the primary focus of each chapter, the contributors of the book use extant…mehr
As we listen and move to music, sing, compose, and play, we engage in musical experiences. These happen in formal learning settings, such as schools and rehearsal halls, but also in informal settings, such as homes and community centers. Musical experiences are fundamentally social and can teach us about ourselves and our relationship to others. This book explores some of the many ways we experience music and create musical meaning from infancy through older adulthood. While vignettes, narratives, and cases form the primary focus of each chapter, the contributors of the book use extant research and theory to deepen understanding of a particular phenomenon, idea, or experience. Chapters are written by leading experts who examine music teaching and learning. They employ various qualitative research methodologies, including case study, narrative inquiry, oral history, and ethnography, yet their contributions are readable, engaging, and refreshingly insightful.
Die Herstellerinformationen sind derzeit nicht verfügbar.
Autorenporträt
Jody L. Kerchner is associate professor and director of Music Education at the Oberlin Conservatory of Music where she is the secondary school music and choral music education specialist. Her research focuses on music listening and cognitive processing, portfolio assessment, college-public school collaboration, and music teacher identity. Carlos R. Abril is assistant professor of Music Education at Northwestern University where he teaches courses in general music, multiculturalism, and philosophy. His research focuses on the sociocultural dimensions of the music teaching and learning process, music perception, and the elementary music curriculum.
Inhaltsangabe
Part 1 Introduction Chapter 2 Musical Experience throughout Our Lives Part 3 Infancy/Early Childhood Chapter 4 Songs of Belonging: Musical Interactions in Early Life Chapter 5 From the Teacher's View: Observations of Toddler's Musical Development Chapter 6 A Community Music Program for Parents and Children With and Without Special Needs Chapter 7 Musical Portraits, Musical Pathways: Stories of Meaning Making in the Lives of Six Families Part 8 Childhood Chapter 9 Pulling the Curtain Back on Performance in the Elementary School Chapter 10 El Cameleon: The Musical Secrets of Mirella Valdez Chapter 11 Improvisatory Musical Experiences in the Lives of Children with Severe Disabilities Chapter 12 Composing in the Classroom: The Journey of Five Children Part 13 Adolescence Chapter 14 Strings Attached: The Reality Show Chapter 15 Drawing Middle-Schoolers' Attention to Music Chapter 16 At-Risk Teens: Making Sense of Life through Music Composition Chapter 17 Boys' Voices: Inside and Outside Choral Music Chapter 18 Music in Motion: An Overture to the Student Experience in the Outdoor Music Ensemble Chapter 19 The Violin and the Fiddle: Narratives of Music and Musician in a High School Setting Part 20 Adulthood/Older Adulthood Chapter 21 Creation to Performance: The Journey of an African American Community Gospel-Jazz Ensemble Chapter 22 Both Sides of the Coin: Experienced Musicians Tell of Lives Lived and Shared Chapter 23 Dancing Inside: Dalcroze Eurhythmics in a Therapeutic Setting Chapter 24 Voices of Experience: Lessons from Older Adult Amateur Musicians
Part 1 Introduction Chapter 2 Musical Experience throughout Our Lives Part 3 Infancy/Early Childhood Chapter 4 Songs of Belonging: Musical Interactions in Early Life Chapter 5 From the Teacher's View: Observations of Toddler's Musical Development Chapter 6 A Community Music Program for Parents and Children With and Without Special Needs Chapter 7 Musical Portraits, Musical Pathways: Stories of Meaning Making in the Lives of Six Families Part 8 Childhood Chapter 9 Pulling the Curtain Back on Performance in the Elementary School Chapter 10 El Cameleon: The Musical Secrets of Mirella Valdez Chapter 11 Improvisatory Musical Experiences in the Lives of Children with Severe Disabilities Chapter 12 Composing in the Classroom: The Journey of Five Children Part 13 Adolescence Chapter 14 Strings Attached: The Reality Show Chapter 15 Drawing Middle-Schoolers' Attention to Music Chapter 16 At-Risk Teens: Making Sense of Life through Music Composition Chapter 17 Boys' Voices: Inside and Outside Choral Music Chapter 18 Music in Motion: An Overture to the Student Experience in the Outdoor Music Ensemble Chapter 19 The Violin and the Fiddle: Narratives of Music and Musician in a High School Setting Part 20 Adulthood/Older Adulthood Chapter 21 Creation to Performance: The Journey of an African American Community Gospel-Jazz Ensemble Chapter 22 Both Sides of the Coin: Experienced Musicians Tell of Lives Lived and Shared Chapter 23 Dancing Inside: Dalcroze Eurhythmics in a Therapeutic Setting Chapter 24 Voices of Experience: Lessons from Older Adult Amateur Musicians
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
USt-IdNr: DE450055826