- the expression and shaping of diasporic and postcolonial identities through performance
- musical memory in diasporic contexts
- the geographies of performance
- the politics of 'new' forms of diasporic music-making.
This book presents a rich array of theoretical approaches and wide ranging ethnographic case studies to reconsider and challenge discourses that have favoured uncritical notions of diasporic 'hybridity' and to broaden current analyses of performance in the diaspora.
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