The second volume of the book reprints Moore's best essays. Several deal with novelist William Gaddis-on whom Moore is considered the leading authority-and other writers associated with him (Chandler Brossard, Alan Ansen, David Markson, Sheri Martinelli), all of which have been updated for this collection. Others champion such writers as Alexander Theroux, Brigid Brophy, Edward Dahlberg, Carole Maso, W. M. Spackman, and Rikki Ducornet. Two essays deal with the late David Foster Wallace, whom Moore knew, and others treat such matters as book reviewing, postmodernism, the Beat movement, maximalism, gay literature, punctuation, nympholepsy, and the history of the novel.
Three threads tie together these reviews and essays: style, intertextuality, and innovation. Moore pays special attention to a writer's style, to the use of literary allusions (and learned wit), and to innovative, experimental techniques. Written in a lucid, non-academic manner, My Back Pages presents a gallery of singular artists, and provides the capstone to Moore's four-decade career.
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