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Neapolitan Postcards gathers a diverse group of international scholars to investigate unexplored transnational aspects of the intimate yet globally popular canzone napoletana. Performed and beloved worldwide in almost every language, the style had hits such as "Funiculì funiculà" (1880) and "'O sole mio" (1898) which sold millions of copies. These hits fueled the tradition's spread across the world over the course of the twentieth century with the eventual popularity of covers by singers and musicians of all music genres and styles, from popular music to opera and jazz. This book is the…mehr
Neapolitan Postcards gathers a diverse group of international scholars to investigate unexplored transnational aspects of the intimate yet globally popular canzone napoletana. Performed and beloved worldwide in almost every language, the style had hits such as "Funiculì funiculà" (1880) and "'O sole mio" (1898) which sold millions of copies. These hits fueled the tradition's spread across the world over the course of the twentieth century with the eventual popularity of covers by singers and musicians of all music genres and styles, from popular music to opera and jazz.
This book is the first scholarly work that considers the specific complexities of the international Neapolitan Song scenes through case studies from Argentina, England, Greece, and the United States, employing analyses of compositions, iconographical sources, international films, mechanical musical instruments, performances, and recordings devoted to the canzone napoletana.
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Autorenporträt
Goffredo Plastino is reader in ethnomusicology at the International Centre for Music Studies, Newcastle University, UK. He has published widely on folk and popular music, field recordings, and jazz. Joseph Sciorra is director for academic and cultural programs at the John D. Calandra Italian American Institute, Queens College (City University of New York). As a folklorist, he has published on religious practices, material culture, and popular music, among other topics.
Inhaltsangabe
Foreword: Neapolitan Postcards Martin Stokes Chapter 1: Echoes of Naples Goffredo Plastino Chapter 2: A Mediterranean Triangle: Naples, Smyrna, Athens Franco Fabbri Chapter 3: The Neapolitan Sound Goes Around: Mechanical Music Instruments, Talking Machines, and Neapolitan Song (1850-1925) Anita Pesce Chapter 4: The Folk Within: On Some Neapolitan Productions in Early Twentieth-Century Italian-American Records Giuliana Fugazzotto Chapter 5: New York City Neapolitan Music from the Calandra Institute's Mark Pezzano Collection Rosangela Briscese and Joseph Sciorra Chapter 6: You Can Go Home Again, and Again: Santa Lucia Luntana, the Film Giorgio Bertellini Chapter 7: Diasporic Musings on Veracity and Uncertainties of "Core 'ngrato" Joseph Sciorra Chapter 8: Napoli in Buenos Aires: From Canzonetta to Tango Canción Ana Cara Chapter 9: The Good, the Bad, and the Ugly: Transatlantic Stereotypes 1880s-1950s Paolo Prato Chapter 10: Blues in the Bay: The Bluesology of James Senese and Raiz Alessand
Foreword: Neapolitan Postcards Martin Stokes Chapter 1: Echoes of Naples Goffredo Plastino Chapter 2: A Mediterranean Triangle: Naples, Smyrna, Athens Franco Fabbri Chapter 3: The Neapolitan Sound Goes Around: Mechanical Music Instruments, Talking Machines, and Neapolitan Song (1850-1925) Anita Pesce Chapter 4: The Folk Within: On Some Neapolitan Productions in Early Twentieth-Century Italian-American Records Giuliana Fugazzotto Chapter 5: New York City Neapolitan Music from the Calandra Institute's Mark Pezzano Collection Rosangela Briscese and Joseph Sciorra Chapter 6: You Can Go Home Again, and Again: Santa Lucia Luntana, the Film Giorgio Bertellini Chapter 7: Diasporic Musings on Veracity and Uncertainties of "Core 'ngrato" Joseph Sciorra Chapter 8: Napoli in Buenos Aires: From Canzonetta to Tango Canción Ana Cara Chapter 9: The Good, the Bad, and the Ugly: Transatlantic Stereotypes 1880s-1950s Paolo Prato Chapter 10: Blues in the Bay: The Bluesology of James Senese and Raiz Alessand
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