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  • Format: ePub

The dazzling and genre-bending new collection of ghost stories from Sunday Times bestseller Jeanette Winterson
'Spine-chillingly good' iNEWS
'Winterson the artist at her most potent' GUARDIAN
Our lives are now digital, exposed and always-on. We have changed, but our ghosts have not. They've simply adapted and innovated. They inhabit our apps and wander the metaverse just as they haunt our homes and our memories, always seeking new ways to connect...
To live amongst us.
To remind us.
To tempt us.
To take their revenge.
These stories are not ours to tell. They
…mehr

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Produktbeschreibung
The dazzling and genre-bending new collection of ghost stories from Sunday Times bestseller Jeanette Winterson

'Spine-chillingly good' iNEWS

'Winterson the artist at her most potent' GUARDIAN

Our lives are now digital, exposed and always-on. We have changed, but our ghosts have not. They've simply adapted and innovated. They inhabit our apps and wander the metaverse just as they haunt our homes and our memories, always seeking new ways to connect...

To live amongst us.

To remind us.

To tempt us.

To take their revenge.

These stories are not ours to tell. They are the stories of the dead - of those we've lost, loved, forgotten...and feared. Some are fiction. But some may not be.

'Engrossing... A must-read' ELLE

'Playful and poignant' OBSERVER

'Captivating and chilling' DAILY EXPRESS


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Autorenporträt
Jeanette Winterson CBE was born in Manchester. She published her first novel, Oranges Are Not the Only Fruit, at twenty-five. Over two decades later she revisited that material in her internationally bestselling memoir Why Be Happy When You Could Be Normal?. Winterson has written thirteen novels for adults and two previous collections of short stories, as well as children's books, non-fiction and screenplays. She is Professor of New Writing at the University of Manchester. She lives in the Cotswolds in a wood and in Spitalfields, London.
Rezensionen
In the stories Winterson is at her best, unsurprisingly, when doing new things with the form The Times