Noise as a Constructive Element in Music (eBook, ePUB)

Theoretical and Music-Analytical Perspectives
Redaktion: Delaere, Mark

• Format: ePub

Produktbeschreibung

Music and noise seem to be mutually exclusive. Music is generally considered as an ordered arrangement of sounds pleasing to the ear and noise as its opposite: chaotic, ugly, aggressive, sometimes even deafening. When presented in a musical context, noise can thus act as a tool to express resistance to predominant cultural values, to society or to socioeconomic structures (including those of the music industry). The oppositional stance confirms current notions of noise as something which is destructive, a belief not only cherished by hard-core rock bands but also shared by engineers and companies developing devices to suppress or reduce noise in our daily environment.

In contrast to the common opinions on noise just described, this volume seeks to explore the constructive potential of noise in contemporary musical practices. Rather than viewing noise as a 'defect', this volume aims at studying its aesthetic and cultural potential.

Within the noise music study field, most recent publications focus on subgenres such as psychedelic post-rock, industrial, hard-core punk, trash or rave, as they developed from rock and popular music. This book includes work on avant-garde music developed in the domain of classical music as well. In addition to already well-established (social) historical and aesthetical perspectives on noise and noise music, this volume offers contributions by music analysts.

The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND)] 4.0 license.

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Produktdetails

• Verlag: Taylor & Francis eBooks
• Seitenzahl: 232
• Erscheinungstermin: 12. September 2022
• Englisch
• ISBN-13: 9781000620122
• Artikelnr.: 64314120

Autorenporträt

Mark Delaere is Professor in Musicology at the University of Leuven. His research covers music from the twentieth and twenty-first centuries, with a special focus on the interaction between analysis, history, theory and aesthetics. Book publications include Funktionelle Atonalität (1993), New Music, Aesthetics and Ideology (ed. 1995), Rewriting Recent Music History. The Development of Early Serialism 1947-1957 (ed. 2011) and the bilingual edition (German, English) of the complete correspondence between Karlheinz Stockhausen and Karel Goeyvaerts (2017, together with Imke Misch). He is currently leading the research project on noise music at the University of Leuven.

Inhaltsangabe

Introduction: The Blessings of Noise Music
PART I : The Joys of Noise: Historical
Theoretical
Aesthetic and Cultural Perspectives
1. Noise Annoys
Noise is the Future: Noise in Communication and Cybernetic Theories and Popular Music Practices
2. Save Our Noise: When Sound Out of Place Deserves Our Protection
3. Tracing Earlines in Ethnomusicology
4. Noise
Not Music
5. Between Morphological Research and Social Criticism: Notes on the Aesthetics of Noise in Avant-Garde Music
PART II: Music-Analytical Case Studies
6. Analysing Non-Score Based Music
7. Noise in Spectral Music
8. Is There Noise in Helmut Lachenmann's Music? Temporal Form and Moments of Presence in the String Quartet Gran Torso
9. The Mic as a Scalpel - Skinning the Voice in Henri Chopin's Sound Poetry
10. Noise as Ground in Improvised Music: The Case of Chris Corsano
11. Stretching Musicality to the Extreme: Vertical Composition in Merzbow's Noise Music