An account is given of the origins and continuity of the numerological tradition in Western European - and particularly English - thought as it affected literary structure. The careful structural patterning in the novels of Defoe and in Fielding's Joseph Andrews and Tom Jones is examined in detail. Smollett, too, is shown to have been interested in exploring the possibilities of number and pattern, and the clear-cut numerological framework of Sterne's Tristram Shandy is revealed.
This original and controversial study combines structural analysis with fresh interpretative insights, and draws parallels with painting, music and architecture. It also has an important bearing on the history of ideas in the first half of the eighteenth century.
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