This major new study of the African origins of African-American forms of worship is based on extensive fieldwork in black Baptist churches in rural Texas. Pitts, a scholar of anthropology and linguistics and a church pianist, played at and recorded numerous worship services over a period of five years. Through historical comparisons and linguistic analysis of this material, Pitts uncovers striking parallels between "Afro-Baptist" services and the religious rituals of Western and Central Africa, as well as other African-derived rituals in the United States Sea Islands, the Caribbean, and Brazil. Raising the concept of ritual frame, he reveals the binary structure underlying African and African-American worship: the somber melancholy of the first frame and the high emotion of the second frame are both essential to the fulfillment of that structure. In the process, Pitts creates a memorable portrait of this vital yet misunderstood aspect of African-American culture. With a Foreword by Vincent Wimbush.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.