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On Love, philosophical discourse by Stendhal, published in 1822 as De l'amour. The work was prompted by Stendhal's hopeless love for Métilde Dembowski. The first part of On Love is an analysis of love, in which Stendhal lists four kinds of love: physical love, purely sexual in scope; love as a social game, removed from passion; vanity love, a type necessary for high social standing; and passion, the finest form of love, which the author idealized and to which he devotes most of his attention. Stendhal also outlines seven progressive stages of love, from admiration to "crystallization," or the…mehr

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Produktbeschreibung
On Love, philosophical discourse by Stendhal, published in 1822 as De l'amour. The work was prompted by Stendhal's hopeless love for Métilde Dembowski. The first part of On Love is an analysis of love, in which Stendhal lists four kinds of love: physical love, purely sexual in scope; love as a social game, removed from passion; vanity love, a type necessary for high social standing; and passion, the finest form of love, which the author idealized and to which he devotes most of his attention. Stendhal also outlines seven progressive stages of love, from admiration to "crystallization," or the process by which the lover attributes all types of perfection to the beloved. In the second part of the work Stendhal presents his views, considered radical at the time, against marriage and favouring the full education and moral liberty of women.

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Autorenporträt
Stendhal, whose real name is Marie-Henri Beyle, born on 23 January 1783 in Grenoble and died on 23 March 1842 in Paris, is a French writer of the first half of the 19th century. He joined the army in 1800 and held mainly military administrative positions, as he did during the Russian campaign in 1812. An art lover and passionate about Italy, where he spent many years, he first wrote aesthetic essays under his real name as L'Histoire de la peinture (early 1817), but it was under the pseudonym "M. de Stendhal, officier de cavalerie" that he published Rome, Naples, Florence in September 1817. This pen name is inspired by a German town called "Stendal", the birthplace of the renowned art historian and archaeologist Johann Joachim Winckelmann at the time, but above all close to where Stendhal lived in 1807-1808 a moment of great passion with Wilhelmine de Grisheim. Having added an H to further Germanize the name, he wanted to pronounce it "Standhal". His training novels Le Rouge et le Noir (1830), La Chartreuse de Parme (1839) and Lucien Leuwen (unfinished) made him, alongside Balzac, Hugo, Flaubert or Zola, one of the great representatives of 19th century French fiction. In his novels, characterized by a thrifty and tightened style, Stendhal searches for "Truth, the harsh truth" in the psychological field, and mainly portrays young people with romantic aspirations for vitality, strength of feeling and dreams of glory.