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Wilde the writer is known to us from his plays and prose fiction, but apparently it was in his conversation that his genius reached its summit. His talk is lost and his autobiography was never written, but his letters reveal him at his spontaneous, sparkling best.
Wilde the writer is known to us from his plays and prose fiction, yet it was in his conversation that his genius reached its summit. His talk is lost, his autobiography was never written, but his letters reveal him at his spontaneous, sparkling best.
Of all nineteenth-century letter writers Oscar Wilde is, predictably, one of
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Produktbeschreibung
Wilde the writer is known to us from his plays and prose fiction, but apparently it was in his conversation that his genius reached its summit. His talk is lost and his autobiography was never written, but his letters reveal him at his spontaneous, sparkling best.

Wilde the writer is known to us from his plays and prose fiction, yet it was in his conversation that his genius reached its summit. His talk is lost, his autobiography was never written, but his letters reveal him at his spontaneous, sparkling best.

Of all nineteenth-century letter writers Oscar Wilde is, predictably, one of the most brilliant. Wonderfully fluent in style, the letters bear that most familiar of Wildean hallmarks - the lightest of touches for the most serious of subjects. He comments openly on his life and his work from the early years of undergraduate friendship, through his year-long lecture tour in America as a striving young 'Professor of Aesthetics', to the short period of fame and success in the early 1890s, when he corresponded with many leading political, literary and artistic figures of the time. Disgrace and imprisonment followed, but even in adversity his humour does not desert him.

In this beautifully produced volume Merlin Holland has brought together his most revealing letters with an illuminating commentary. Together they form the closest thing we shall ever have to Wilde's own memoir.


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Autorenporträt
Oscar Fingal O'Flahertie Willis Wilde (1854-1900) was the son of Sir William Wilde, a noted Dublin eye specialist, and Jane Francesca, Lady Wilde, a well-known Irish poet and journalist. He was a brilliant student at Trinity College, Dublin, and at Magdalen College, Oxford, where he won the Newdigate Prize in 1878 for his poem Ravenna. He married his wife Constance in 1884 and they had two sons. Wilde's most prolific period was between 1888 and 1895. Following an ill-advised lawsuit against Lord Alfred Douglas's father, the Marquess of Queensberry, for libel, Wilde was prosecuted for homosexual acts and imprisoned for two years with hard labor in Reading Gaol. He died in Paris in 1900.Aubrey Beardsley (1872-98) was a book illustrator, caricaturist, poster-designer and novelist. He was closely associated with The Yellow Book, and illustrated The Rape of the Lock, The Lysistrata of Aristophanes and Oscar Wilde's Salome. Charles Robinson (1870- 37) was one of the most popular and prolific black-and-white artists of the Edwardian era. Brother of the artists Thomas and William Heath Robinson, he came to prominence when asked to illustrate Robert Louis Stevenson's A Child's Garden of Verses. Aubrey Beardsley (1872-98) was a book illustrator, caricaturist, poster-designer and novelist. He was closely associated with The Yellow Book, and illustrated The Rape of the Lock, The Lysistrata of Aristophanes and Oscar Wilde's Salome. Charles Robinson (1870- 37) was one of the most popular and prolific black-and-white artists of the Edwardian era. Brother of the artists Thomas and William Heath Robinson, he came to prominence when asked to illustrate Robert Louis Stevenson's A Child's Garden of Verses. Charles Robinson (1870- 1937) was one of the most popular and prolific black-and-white artists of the Edwardian era. Brother of the artists Thomas and William Heath Robinson, he came to prominence when asked to illustrate Robert Louis Stevenson's A Child's Garden of Verses.