Investigating a wide range of cultural texts drawn from films, videos, novels, poetry, rap tracks, music and painting, Richard Dyer explores issues of text, genre, and the use of pastiche as a resource within a work. The final chapter draws together the underlying concern of the book with affect and poetics and discusses the politics of pastiche.
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"In this study, Richard Dyer turns the tables on dismissive critics, identifying their condemnations as part of a long-standing tradition of patriarchal discomfort with intimacy and affect." --Cineaste Magazine








