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Jonathan Norton is a rising star in the Dallas area, but his description of a Black neighborhood in the '80s will appeal to so many, especially after the resurgence of #BLM protests in the summer of 2020. He navigates the drug epidemic and rising violence through an accessible point of view of a kid, and his story is fairly autobiographical. Would make a great addition to any syllabus or reading list of 21st century drama dealing with race, childhood, the South, family drama.
Jonathan Norton is a rising star in the Dallas area, but his description of a Black neighborhood in the '80s will appeal to so many, especially after the resurgence of #BLM protests in the summer of 2020. He navigates the drug epidemic and rising violence through an accessible point of view of a kid, and his story is fairly autobiographical. Would make a great addition to any syllabus or reading list of 21st century drama dealing with race, childhood, the South, family drama.
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Autorenporträt
Jonathan is the Playwright in Residence at the Dallas Theater Center. His work has been produced or developed by Actors Theatre of Louisville/Humana Festival, Dallas Theater Center, PlayPenn, InterAct Theatre Company, Pyramid Theatre Company, Black and Latino Playwrights Conference, Bishop Arts Theatre Center, African American Repertory Theatre, Soul Rep Theatre, Kitchen Dog Theater, Undermain Theatre, South Dallas Cultural Center, the National Performance Network, and the National New Play Network.
Jonathan's play Mississippi Goddamn was a Finalist for the Harold and Mimi Steinberg/ATCA New Play Award and won the 2016 M. Elizabeth Osborn Award given by the American Theatre Critics Association.
Other awards include: Artistic Innovations Grant from the Mid-America Arts Alliance, SDCC Diaspora Performing Arts Commission, the TACA Family New Works Fund and the TACA Bowdon Family Foundation Artist Residency Fund, and Jubilee Theatre's 2019 Eastman Visionary Award.
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